The interpretation perspective of the criminal investigation drama "The Crime Hunting Picture Book" is quite rich: the screenwriter team is strong enough to extract a few exquisite human profiles from the vast sea of art history; the actors are well interpreted, and the genius portrait masters have their pride and gently caress the bloody cracks in the city; the plot is bizarre but adapted from real events, and the case is confusing but always in line with reality. Unlike the image of women in traditional drama scripts who are responsible for beauty or adjusting the atmosphere, the crew of "Hunting" can be said to be quite delicate, real and exciting in the interpretation of women in the script, with respect and understanding as the background, and no longer setting invisible shackles for them.
One, in several workplace scenarios constructed by "The Hunting Sin", women do not need to rely on others in the workplace. Their strong professional qualities and gentle and lovely feminine traits coexist. In the Beijiang Branch, Director Zhang, Technical Police Officer Li Han, Forensic He Rongyue and ballistic analysis expert Jiang Xue have a driving or even decisive role in the breakthroughs in many major cases. For example, in a case of using high-tech to commit population trafficking, Li Han dismantled various procedures and analyzed them to identify the suspect's recent trends; Forensic He judged that the skull and corpse belonged to two different parts based on the age of bone, breaking through the current mystery. The architectural designer Jiang Ge, art teacher Qu Lanxin, model Xiao Shan and others who appeared in the case all showed their professional charm through their professional abilities, which is one of the reasons why all the characters who appeared in the unit drama "Hunting Sin" are impressive. People who have been stripped of their professional identities are incomplete in today's society. Work replaces families and becomes the focus of urban women's lives. Their identity comes from their profession to a large extent. The heroines in most film and television dramas will not focus on shaping the "professional" side. They have excellent luck bonuses and the protagonist's halo. They talk about love under the guise of professional dramas, and grow into the so-called "big heroine" in the "male gaze". The film and television market has suffered this routine for a long time. Therefore, from the perspective of the portrayal of professional women, "The Hunter" is undoubtedly successful.
Secondly, the play’s attention to the survival dilemma of women is sincere and compassionate. Unlike some works that use the banner of "focusing on women" to scratch the surface and sell popularity, "Hunting Crime" is based on a perspective of the perspective and sincerely writes these women's tragic songs "adapted from real cases". Therefore, the emotional tone it contains is sympathy rather than compassion, and this emotion is cleverly expressed with the help of the male protagonist, making the character setting of the male protagonist more abundant. In just twenty episodes, it covers a variety of factors: appearance anxiety, sexual assault, sexism, domestic violence, lesbians, emotional deception, and women's trafficking. And these elements are also one of the key motivations that lead to certain crimes. For example, architectural designer Jiang Ge is deeply troubled by gender discrimination and appearance anxiety and is determined to have plastic surgery. Unexpectedly, she was sexually assaulted by the dean and was under control for a long time, which eventually led to her crime. At the same time, several frames of the pictures in the work are silently telling the pain for countless victims. The sequelae after the death are difficult to eliminate, and trauma and grief are likely to accompany them for life. If Lu Ting, who had suffered domestic violence, suddenly heard a loud noise, she would be involuntarily afraid and Liu Xiaoye, who had been sexually assaulted in her childhood, could not let go when she grew up. Although these crimes themselves "sin will not die", they can make the victims day after day or in a black hole that is far more gloomy than normal death. In addition, screenwriters are constantly rectifying women's reputation, ruthlessly breaking through the dark saying of "victimism theory" that diverts contradictions and adds insult to injury. A woman who is conservative and always vigilant still cannot escape her clutches; a naive, kind and longing for love girl who is kidnapped by her lover cannot be attributed to her false "stupidity". The screenwriter used the world-famous painting "The Death of Mara" to show the stigma of women by social public opinion over thousands of years. The long-term misalignment of gender and cognition coincides with the analysis of "misexuality" by Japanese scholar Chizuko Ueno. The reasonable and correct value orientation output by the screenwriter is also one of the reasons why "Hunting Crime" stands out in the criminal investigation market.
Third, the screenwriter's understanding of women's psychology and emotions has broken through the "female competition" and improved the pattern.When analyzing the theme of the painting "Judis Killing Horofonnie", the protagonist Shen Yi focused on introducing the version drawn by the Italian female painter Gentilleski. In her paintings, Judith, who is determined and just, joins hands with the maid to kill the enemy, which is completely different from the images of the "spectator" maid and the "beautiful hero" portrayed by traditional male painters. The line of the play, "Women can understand women, women can protect women" is unforgettable. In the murder case that was secretly linked to this famous painting, the wife and lover who were also abused by domestic violence united to resist violence and protect each other. The wife even tried to blame the pregnant husband and lover. The direction of the case has changed the traditional social relationship between women who are fighting openly and secretly and jealous, which shocked me and cannot be forgotten for a long time. For example, the tomboy Qu Lanxin, who is isolated by his classmates, secretly protects the bullied and harassed schoolgirl Ren Xiaoxuan. Even if there is a feeling that transcends friendship between the two, it is still a touching kind-hearted interaction between women.
The above, the screenwriter of "Hunting" is awe-inspiring. After checking, I found out that four of the five screenwriters in the creative team were women. The screenwriter's own gender perspective is also a resonance point for watching movies to some extent. Of course, this itself is a phenomenon that tears out stereotypes - female screenwriters can also write meticulous and brain-burning suspense dramas, not just romantic romance movies. In the film and television industry with saturated bad movies, the information between the market and the audience is asymmetric, and the resulting phenomenon of bad money driving out good money is also common. Therefore, we need to dilute high-quality works in the "lemon market". (Zheng Shuohan)
