/What should be paid attention to when drawing the front model?
①The relationship between head, neck and shoulders is very important. can ensure the correct character structure, and it can bring a little dynamic, which can prevent the character composition from being too straight and draw the feeling of a portrait
② Pay attention to the length and width ratio of the head shape. The front of is easily drawn too wide or too narrow, so first, the standard "three stops and five eyes" is drawn, and then slightly change according to some characters' characteristics. Generally, the atrium and lower courtyards of adults will be slightly longer.
③The spacing between the inner corners of the two eyes and the spacing between the outer corners of the eyes and the sideburns will easily cause problems. zygomatic arch masseter muscle temporal bone should not have much pure lateral area. The intersecting turning point between zygomatic and masseter muscle, be sure not to squeeze into the center of the face, at most no more than the outer corner of the eye.
④The front and back spatial relationship from the nose to the ear is controlled according to the space. face (including the light and dark junction between the zygomatic masseter muscle to the chin) appropriately weakens the contrast. Never stroke edge lines.
⑤ head, neck and collar space should be guaranteed, and the order should not be messed up. locally, it is necessary to pay attention to the relatively strong contrast between the nose and chin, and the rest weaken in turn according to the spatial relationship.
⑥ forehead volume should be sufficient, and the basic five aspects should be expressed. The overall color of hair should not be too heavy and the hairline should not be too strong. The volume of the eyeball and mouth should be at the forefront of them and avoid flattening.
/What should be paid attention to when drawing the models on the side?
① In terms of shape, pay attention to the relationship between the length and width of the head (close to the square), and pays especially attention to the front and back relationship between the lateral eyebrow arch, nose, mouth and chin.
②Usually, ears are one-half of the width of the head. Pay attention to the position of the chin and the slope of the neck, as well as the relationship between the neck and shoulders, the relationship and width of the shoulders.
③From the shape of Pay attention to the virtual and real relationship of the head when shaping (especially the volume space is relatively difficult to deal with, the ears, cheekbones, and nose are in different spatial planes). At this time, the ears should be portrayed in detail, and the eyes, nose, and mouth are all half seen. Generally, pay attention to the interspersed relationship of its shape and contour lines (the summary of the triangle of the eye, the relationship between the upper eyelid and the eyeball and the lower eyelid, the relationship between the nasal septum and the nose wing, the relationship between the upper lip and the lower lip)
④Finally pay attention to the front and back spatial relationship between the face and the neck, and the volume of the neck. The relationship between the neck and shoulders, as well as the virtual and real space portrayal of the collar and the thickness of the shoulders.
/What should we pay attention to when drawing three-quarters of the models?
① When drawing models on three-quarters of the side, you should pay attention to the spatial sense of the entire avatar of . The facial features of are one face, and the face to the ears are one face. Pay attention to the source of light, and then distinguish between the bright and dark parts.
② Pay attention to the principle of being close to big and far to small. The model's cheekbones at this angle of are the front, so the facial features have a perspective change in size and perspective. You cannot draw the left and right sides of the facial features as big as the left and right.
③ The dark side of the entire face should be more breathable. After the entire light and dark junction line of the card, the dark part does not need to be too dark and rigid. It should be empty as a whole and the structure inside should also be expressed.
④ Pay attention to the relationship between the body and the body of the neck. turns from front to back, and the sense of space is widened, and the sense of volume should be sufficient. At the same time, the connection with the shoulders should be done well. The dynamics should not be very awkward.
/What should you pay attention to when drawing a downward angle?
①First of all, you must pay attention to the perspective of ! ! We can see that the upper eyelid area of the model's eyes is much larger than that of the lower eyelid, the space left at the bottom of the nose is smaller, the area of the forehead is larger, and the entire face is slightly tilted downward.
②Secondly, the chin will not have that strong sense of space, and the hair will be larger. Note that the larger the angle of looking down, the lower the facial features, the smaller the area it occupies. At this time, the main position of the shape will move upwards, because the proportion of the neck and chin becomes smaller, while the proportion of the nose, eyes, and forehead becomes larger.
/What should you pay attention to when drawing an angle of upward look?
①The core of looking up and looking down is the same. The most important thing is the perspective issue. The space at the bottom of the nose becomes larger, be careful to draw it with breathability and not be completely shady. The area of the forehead decreases, and the area of the chin and neck becomes larger. Here we should pay attention to the fact that the shape of the chin must be "stuck at both ends and empty in the middle" and have a sense of space.
②When we look upward, we must first grasp the body and then start to adjust it. All facial features of must be determined first, because such angles are easy to be poorly drawn, so if you want to try, you must first make the body well, otherwise no matter how many you draw, it will be a white painting.
——More works appreciation——
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