She lost 20 pounds and wore a dark V-black fishtail skirt with an exaggerated rhinestone velvet bow on her waist. She was sexy and elegant, and was the most popular look in the past two years.

I was late for praise. Some time ago, Golden Rooster Award on the red carpet Liu Yan killed crazy. She lost 20 pounds and wore a dark V-black fishtail skirt with an exaggerated rhinestone velvet bow on her waist. She was sexy and elegant, and was the most popular look in the past two years.

does not destroy the original design's "high neckline" nor does it shyly "cover your chest" movement. The sister who shows off her figure is really beautiful.

Refined pictures are easy to see aphasia, and the on-site state is also very good. Seeing her elegant posture, she was quite emotional. Liu Yan, who was often ridiculed because of her sexy label, now has more good works with her, and is full of confidence and is recognized by everyone.

Because of the role of "Sanniang" in the costume drama " Menghualu ", many people are attracted by her. It turns out that even if a person has strong "sexy" characteristics, he can still showcase Chinese classical beauty well.

Two years ago, she had a set of blockbusters that I liked very much. It was made of Chinese makeup, showing the charm of oriental women, gorgeous and slim.

Nowadays, many photographers have begun to turn their attention to Chinese aesthetics. The Chinese background and elements come with mysterious luxury, which will add a sense of story to the blockbusters. Today, let’s talk about the beauties in the blockbuster under Chinese aesthetics.

For example, the Zhong Chuxi "Oriental Ancient Rhyme" blockbuster posted by photographer Liu Zongyuan online is the result of Chinese aesthetics.

I always think that Zhong Chuxi has a high-end appearance and a heroic face with a Western style. The Chinese style is beautiful in her gentleness, which should be inconsistent with her. It turns out that I was wrong. Her bones in this set of photos have too oriental charm, and even her slightly convex cheekbones are like a cold and charming moon. The black cheongsam look of

. This tear looks at it at first glance, and it feels like 可2可. Although it does not have the powerless calmness of 可 Ziyi , it is also full of content.

According to photographer Liu Zongyuan, the makeup this time was painted by Zhong Chuxi herself, and she really understands herself very well. The theme of the cover of

is actually about bamboo forest. The pink long skirt on her body has a bamboo shadow embroidered on it, which means nobility and tenacity. She lay there, with the lantern swaying on it, reminding me of the red lanterns in "The Big Red Lantern Hanging High", which is very well grasped.

▲The movie "The Big Red Lantern Hanging High"

boldly guessed that the story and emotions behind this blockbuster should be an old woman in the feudal ethics norms, but she had a strong sense of self, so she was painful and struggled.

My favorite is that she wears blue and white porcelain embroidered evening dress, leaning against a group next to the rockery, giving a deep feeling.

This skirt on her is the work of the famous designer Chen Caini. He said, "I have never been willing to borrow this dress easily. I have rejected more than a dozen female artists until Miss Zhong appears."

Female celebrities with a strong sense of fashion are really favored by designers. The inspiration for this skirt is from ancient Chinese blue and white porcelain, with pure oriental styles.

Zhong Chuxi's perfect figure also shows the oriental charm. For example, the feeling of rising, bearing, turning and closing at the waistline is similar to the gentleness of the bottleneck of blue and white porcelain.

I suddenly thought of her "Surprise Dreams in the Garden" blockbuster last year, wearing a satin porcelain pink dress and holding a green porcelain bottle. Her delicate figure and the beautiful curves of the porcelain bottle are too stunning. The two groups of bamboo shadows have a mottled atmosphere, which is also beautiful, without sadness and more arrogant.

This picture is very freehand and has a texture like ink painting. Speaking of freehand painting, I think the black swan blockbuster Liu Zongyuan once filmed for Song Qian is his peak of freehand painting. It was shocking at first glance.

Song Qian herself seems to have been hidden, leaving only a rough image in the black and white light and shadow, but her momentum remains unabated and has a very imaginative space.

Liu Wen The recent "Cloud Travel to the Forbidden City" blockbuster for "VOGUE" is also very oriental and magnificent.

The most magnificent ancient architecture and the top supermodel temperament, the people and scenery are extremely beautiful, and Liu Wen has the mystery and beauty of oriental beauty in the light and shadow.

She also filmed a set of oriental blockbusters for "Harling Bazaar" a few years ago. She wore a cheongsam or tailgate skirt, wore Luo Juanzhuhua, and held a round fan in her hand. She was treated to the texture of fine brushwork, which was very elegant.

The other groups of Bazaar are a bit like Westerners' imagination of oriental artistic conception, with too strong colors and a bit of a feeling of being too strong.

Xu Lu The blockbuster "Douyin into Gold" filmed for "Trends" is quite good, integrating traditional calligraphy elements and being elegant and free.

Xuan white Hanfu wears her, and she has a pitiful atmosphere. Beauty is beautiful, but the momentum is weak. I prefer the group of her wearing a purple robe, with a pen instead of a hairpin on her head, and she is as cool as a female general. Although his expression is cold and bright, he has the spirit of reproaching and vigorous expression in his emotions.

Wu Jinyan incorporates lotus into the film, a set of "Blooming Lotus Leisurely" blockbusters, which is truly beautiful to me.

is not in the drama of the dead girl, she is still very interesting, and her thin skeleton is suitable for elegant ancient style. This new Chinese white dress makes her look more noble than the lotus beside her, and her ancient charm is so good.

Chinese aesthetics can not only be elegant, but also make the most of the colors. For example, the cover of "surreal classical style" filmed by Ao Bing for "Schon" a few days ago is very tense.

The clothing styles of the entire group of blockbusters are very exaggerated, with a big opening and closing. Especially the two sets of gold and red, the colors are strong and the characters need to have strong expressiveness.

After the red wall is a golden desert, which echoes the golden tail shawl on her body, and the headdress is a silver hat with Miao elements, adding a touch of national exotic beauty.

red set shows a hot style, the headdress is Dai style, the fiery red puffy skirt is worn into a "heart" shape, the red light spots on the background are like petals, and more like blood, with a kind of flowing beauty that impacts the people's eyes. Film Awards Film queen Zeng Meihuizi filmed a blockbuster for the 130th anniversary exhibition of "VOGUE", which performed four classic female characters in oriental dramas: Yu Ji, Wang Zhaojun, Dou E, and Yang Guifei.

A full of sad atmosphere in the stream of light. Zeng Meihuizi mobilized the vigorous vitality in the actor's body and performed these four female characters at a level.

The tears came out of her eyes, and a mole on her nose was even more amazing. Sparks were everywhere between Liu Zongyuan and Zeng Meihuizi. Last year, his exhibition work "Metaphor Snake" was also the protagonist of Zeng Meihuizi.

▲All photos of the exhibition can be easily searched on the Internet. Interested friends can come and take a look. The very shocking image

Zeng Meihuizi transformed into the green snake in the Oriental Fantasy "Strange Stories from a Chinese Studio". The dark colors cannot cover up the burst of lust. Every posture of her is expressing obsession and temptation. It is so beautiful. In 2019, Guan Xiaotong, , made a set of national style blockbusters for "Harling Bazaar", combining elements of murals and peonies in the prosperous Tang Dynasty, which is very outstanding.

In the hot and bright colors and light and shadow, she is a princess soaked in gold powder, with an ethereal and innocent temperament.

is also the embodiment of peony, noble and cool.

My favorite is the group wearing a golden head crown, which reminds me of the " Liang Zhu " directed by Tsui Hark . Zhu Yingtai was forced to wear a phoenix crown tied up by shackles.

In my heart, this is Guan Xiaotong's most outstanding set of blockbusters.

In recent years, new Chinese aesthetics have become popular. The combination of traditional aesthetic elements and modern fashion often creates a dazzling effect, so Chinese elements are frequently used in both celebrity blockbusters and fashions.

Our long-standing oriental heritage is slowly being seen. Ordinary girls can also open their minds and try the new Chinese style. Maybe they can find their recognition~

See here, which of the above Chinese blockbusters do you think is the most exciting to you?