In the process of reading Wu Guanzhong's writing about artistic creation, I basically agree with most of his views, with only a few exceptions. This is probably why I will like it after seeing his paintings, because many of our ideas about modern art are similar to our thoughts,

In the process of reading Wu Guanzhong 's writing about artistic creation, I basically agree with most of his views, with only a few exceptions. This is probably why I will like it after seeing his paintings, because many of our ideas about modern art are similar to our thoughts, and since that is the case, I will definitely like it.

In Wu Guanzhong's article on personal feelings and style, Wu Guanzhong used an example to introduce his grasp of personal feelings and the principle of precise perspective. He said this: I often like to draw densely packed urban houses or dense mountain villages with scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scattered scatter Sometimes I encounter time rich, haha! This time I have to draw it accurately and accurately, but the result is not as rich and varied as the effect shown by feeling, because some parts of the latter emphasize unevenness and repeat the levels. If you use photography and perspective to compare and check it, it is far out of line.

Wu Guanzhong's "City in a row" unknown

In fact, almost everyone who paints will encounter the problem of choice between feelings and precision that Wu Guanzhong notices. If you draw completely according to the principle of perspective and its techniques, both the scenery and the background have a mechanical feeling. That mechanical feeling comes from the over-precision or even tidy picture.

Miyazaki's animation background "Spirited Away"

Especially when we use software to draw, because there are too many perspective tools to regulate the accuracy of our drawing, so whenever we get the result, we always feel that it is not what we draw, but the result behind the tool. This feeling is consistent with Wu Guanzhong's feeling.

For this, in terms of precision and sensibility, Wu Guanzhong chose his own sensibility, even if he gave up a certain degree of accuracy for this, he would do whatever he wanted.

Shinkai Makoto's background "Your Name"

From another perspective, take the animation background of two most famous animation directors in Japan today, Hayao Miyazaki and Makoto Shinkai, as for example. The background of Makoto Shinkai's animation is completely made in PHOTOSHOP and the corresponding three-dimensional software, while the background of Hayao Miyazaki's animation is hand-painted in watercolor. Judging from the effects achieved by their works, the background of Shinkai Makoto animation makes us addicted to the real Tokyo pictures, while the background of Miyazaki animation is more like the scene in romanticism , and has a warm and pictorial nature. To be honest, I like the latter feeling.