On November 21st, the eighth issue of "Actors Please Be in Place" was launched. After the four skits, "The Taste of Pepper", "Theatre", "The Birth of a Star", "Fantasia in F Minor", the second The top 16 of the season "Actors Please Get In" is released.
Zhao Wei's group of four members were promoted: He Cheung Kong, Lame Yoko, Ma Boqian, Shi Baiyu.
Er Dongsheng group three advanced: Zhang Yue, Ma Su, Huang Yi.
Five members from the Chen Kaige group advanced: Wang Qiang, Chen Youwei, Ren Min, Hu Xinger, Zhang Haiyu.
Guo Jingming's group of four advanced: He Changxi, Wang Churan, Ding Chengxin, Yan Zidong. Z4z
Er Dongsheng's "The Flavor of Peppercorns" is the first to appear in this issue. The adaptation is very successful, and the 18-minute short film is warm and healing. The three half-sisters were talking about their perceptions of the same father. There were no conflicts deliberately created, everything was reasonable and warm. Regardless of the acting skills of the three actors, the adaptation of the book is perfect. Just like the last emotion of Director Er, I may have seen my daughter grow up to the age of Sun Qian and Zhang Yue, but I may not necessarily see her grow up to the horse. Su's age. This may be the reason for the adaptation of the script. From the perspective of his father, the director asked the three unconnected sisters to give each other in the form of gifts. A father was afraid that his daughter would be unaccompanied after his death.
Zhao Wei used a black humorous short film "Theatre" in this issue to satirize the current entertainment industry environment. With the support of capital, all cows, ghosts and snakes can become actors, even if she can't even speak "human words". As an audience, I personally like the adaptation of Zhao Wei very much. The short film of more than 20 minutes just didn't fast forward. Whether it is the performance of the three actors or the directing of Zhao Wei, the editor has succeeded here. As for Chen Kaige’s accusation of the actors’ exaggerated performance techniques, the editor has no opinion, as Zhao Wei said: : In the face of art, everyone is equal, not because of your artistic accomplishment, what you say must be correct, nor is it because of you. Without knowledge, you have no aesthetics and judgment. (Chen Kaige makes some sense, but as Er Dongsheng said, it is limited by the script and time, and has no time to deal with these details.)
and our topic character Guo Jingming, this short film "The Birth of a Star" still continues her youth idol The style of the play is still a pure love story without any change. Most of the plot still uses the classic sections of some idol dramas to lay it down. It can only be said that this is a short film for women who love fantasy. The last appearance of
tutor is Chen Kaige's "Fantasia in F minor", which is also about the shortcomings of the current entertainment circle, the same black humor and irony, but a bit restrained and warm. To be honest, Mrs. Myolie Hu's acting is really good, she can move freely, she has to pick something wrong, it's just an accent of her lines. If the two male actors perform according to Zhao Wei's form, perhaps the effect will be better. However, the ending of the short film is very uncomfortable. The style difference between the front and the back is too big. The intention to create a dramatic conflict is very obvious, but it is uninteresting. It's not that I just keep being ironic and not being tender. If Mr. Hu Xing'er continues to exaggerate and eventually leaves the scene in madness, the mental impact will be more intense and the audience's emotions will be more mobilized. Overall, "Fantasia in F minor" is an absurd story in the entertainment industry that ends with warmth. At the end of the
show, Dapeng resurrected Ni Hongjie with his short film "Mulan", which also let the audience see how important it is for actors to choose roles that fit their own image. (Acting skills are also necessary)
However, judging from the final list, traffic idols occupy half of the country. This may also be the reason for the decline of Chinese film and television dramas. Since the emergence of traffic idols, Mainland Chinese entertainment has copied the Korean model completely, but without the cruel competitiveness, innovation, and elimination rate of the Korean entertainment industry, resulting in increasing film quality. Rubbish. The same are the film and television clips under the short videos of traffic idols. Many people see the clips of Korean dramas and watch the whole drama and can continue to chase them, but the situation in China is very different. Let alone chasing, it is good if you don't complain.
If there are no restrictions on entertainment, the Chinese film and television drama industry will still be dominated by Koreans today. This is the saddest thing in China’s film and television industry.It has given you the best opportunity in the world, but China’s film and television industry has been declining. Several years of staying in place and retreating have created the current aesthetic mechanism, which is not corrupt or not watching, shameless and not watching, such a film and television environment It is better to open a restricted entertainment order to kill them without leaving.
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-