Chasing action design and action wonders
Human evolution instinct makes it aggressive and violent tendencies. Freud once pointed out: In addition to sacrificing sexual satisfaction, the civilization also requires the sacrifice of human "aggressive" tendencies, and the violent aesthetics in the movie can trigger people's instinctive experience of this tremor and fear.
The popular "WCT World Chase Competition" in recent years is a model of action design that applies the aggressive tendency between pursuit and escape, but in the Hollywood action movie "Chasing Sequence", there are some differences in addition to showing the thrilling and exciting human movement wonders between pursuit and escape.
First of all, we can analyze the difference in their application on "chasing impact".
On this pursuit stage that limits the boundaries, the "action-response" communication of action scenes mainly relies on the form of parkour between fists and feet and the obstacles and mechanisms provided by the equipment in the venue. The "chasing influence" that blocks the character's desire (escape/catch) is fixed.
Therefore, between the "chaser" and the "chaser" of the "WCT World Chase Competition", If one side falls into a dilemma that seems to be unable to escape, they must be able to escape by their own strength and wit, rather than by coincidence or accidental events .
They must solve problems within their own ability in a logical way, or solve them with the help of reasonable people or things.
However, In the Hollywood action movie "Chasing Sequence", the power and wit of chasing both sides can be displayed by with the help of coincidence or accidental events.
As we show in the scene analysis of "Britt", whether it happens during shooting or is performed by the drama design, the emergence of random live events is a test of the ability of "chasers" or "chasers" to choose under the pressure of crisis, and their power and wit can be displayed through their action design in facing this event.
Therefore, the action design in the "chasing sequence" not only involves strong confrontational scenes with strong action spectacles, but mainly needs to grasp the details of the display . A good position to position these action designs is the turning point of the beat or scene. It can be a small action in "Britt" in which the villain angrily inserted the seat belt, conveying "This mixed up" Why can't you get rid of the egg? "An aggressiveness";
can also be a sharp turn of James Bond, showing the violent tendency of "I'm going to take care of you by myself soon"; it can even use vehicles such as horses, bicycles, motorcycles, cars, planes, motorboats, and other vehicles to use a sudden brake to show the character's irritable aggressive tendency during the pursuit: "James Bond has never encountered such trouble!"
In short, the motion design of the pursuit is not necessarily a magical movement full of swords, guns and sticks. The dynamic rhythm of people and objects and objects in the pursuit process can convey a strong picture "attraction" . How to reflect their charming power and wit and demonstrate originality is the core of the pursuit action design.
Chasing the shape and body wonders of characters
The people who care about Hollywood movies are still concerned about characters. If there are no real and credible characters in the above scene wonders, speed wonders, and action wonders, the film will become a soulless shell.
Originality exists in the persistent pursuit of truth and credibility, rather than from the unique and unique curiosity. A movie is essential if it wants to establish a solid emotional bond with the audience and produce the empathic effect that playwrights expect.
So we can see that most of the protagonists in Hollywood action movies are Kong Wu's powerful muscular men. Stallone , Schwarzenegger , Shangge Yundon , Mel Gibson, Duf Longer ...
Their masculine body wonders have basically created half of the Hollywood action movies. This dynamic body wonder is basically indispensable when building the credibility of the fight scenes, but it does not necessarily have it in the corresponding "chasing sequence" visual presentation.
is just as Stanislavsky summarized: is not only a body movement, but also an inner movement of people - psychological activities.
If strength and wit are divided, the ideal "chasing sequence" character should have both. Therefore, we can often see a special physical wonder in the "chasing sequence", that is, the "suit thug" style.
action movies require characters to be kept simple, because complexity will distract our attention from the thrilling movements.
If you want to show more of the characters in action movies with fewer dialogues and simple characters, it is a good choice to wear a slim and capable and gray suit. Moreover, "because dim objects are always regarded as subordinate to brighter objects, the moving state is always dim objects, while brighter objects always tend to stay." This can also create a stronger velocity and action wonder in the picture.
The concept of "suit thug" itself is dualistic. The first half of is a modified concept of visual elites, and the second half has an aggressive tendency . The two together demonstrate the underlying truth of the character's personality, that is, an aggressive individual with both strength and wit.
Therefore, this kind of chasing character style has frequently appeared in Hollywood action movies such as "Chasing Sequence" in recent years, "Quick Chase" series, Ace Agents series, and "21 Bridges".
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