" The Law of Love 28 " was broadcast, Yang Mi joined the ranks of "Girls", and was accused of choosing scripts with less vision than Zhao Liying .
, while Zhao Liying, who was co-produced with Lin Gengxin, has just finished filming.
On September 12, 1986, Yang Mi was born in an old alley in Xuanwumen, Beijing. Her father was a policeman and her mother was a teacher.
Zhao Liying was born on October 16, 1987 in Langfang City, Hebei Province.
is different from Yang Mi's child star debut and professional literacy ( Beijing Film Academy Performance Department ), Zhao Liying graduated from the flight attendant major of Langfang Electronic Information Engineering School. She only participated in the Yahoo Star Search Competition in 2006 and started entering the entertainment industry.
It was only in 2013 that he played the leading role as the heroine and starred in the TV series " Legend of Lu Zhen ".
And in 2013, Yang Mi's career in idol dramas has taken the lead.
In 1990, Yang Mi, who was only 4 years old, was invited by director Chen Jialin to play the role of Princess Xianyi in "The Emperor of Tang Ming".
In 1992, six-year-old Yang Mi collaborated with Liu Xiaolingtong to star in the opera-themed children's drama " Monkey Baby ". Producer Li Xiaowan asserted: "Yang Mi, this child, will definitely be able to earn the job of an actor in the future."
As expected, Yang Mi was signed into Li Shaohong 's company in the same year, and participated in "The Golden Fen Family".
In 2004, Yang Mi, who was still in high school, was "borrowed" from Li Shaohong from Zhang Jizhong to play Guo Xiang in "The Legend of Condor Heroes".
And in the years when Yang Mi appeared in major crews, Zhao Liying is still an amateur + passerby.
It was not until 2008 that the two had their first intersection. This intersection is Li Shaohong's version of " Dream of Red Mansions ".
went for " Lin Daiyu ". When she appeared on the screen, Yang Mi became " Qingwen ", which is the role of Qingwen in the new version of "Dream of Red Mansions". For the first time, Yang Mi was not confident about her appearance.
When filming "Dream of Red Mansions", director Li Shaohong felt that Yang Mi's face shape was not in line with the role in the play, so she asked her to extract 4 teeth. Yang Mi, who had 4 teeth missing, had a smaller face and her chin became pointed.
At that time, it was popular in the entertainment industry that pointed chins, big eyes, and "fox-shaped faces", such as Yang Mi and Tang Yan . Zhao Liying, with a small round face, played Xing Fengyan, who was not even the "Twelve Beauties of Jinling".
The broadcast of "Dream of Red Mansions" has brought a lot of fame and traffic to Yang Mi. The next year, in 2011, Yang Mi played the role of Luo Qingchuan in "Palace". At this point, Yang Mi has truly become the leader of the 85 flowers.
butterfly effect is more realistic in the entertainment industry. " Legend of Sword and Fairy Three " has thrown the "olive branch" of the female lead to Yang Mi.
Yang Mi, who has tasted the sweetness, has become increasingly uncontrollable for her appearance and face shape.
In "The Law of 28 of Love", Qin Shi, played by Yang Mi, was accused of sunken cheeks. Many people say that it is the sequelae of Yang Mi's bone-cutting.
The entertainment industry is really one time and another, and the feng shui is changing.
When Yang Mi's idol drama was at its peak, Zhao Liying couldn't even make a third girl in "Palace 2".
Because some big names say that non-mainstream round faces like her can only play supporting roles, and there is not much traffic to play the leading role.
But I don’t know when the weather vane suddenly changed.
"Legend of Lu Zhen" and "The Journey of Flower" broke the "curse" that the round face cannot play the protagonist, and Zhao Liying ushered in the "round face" era of the protagonist.
It is precisely because of her child star debut and professional background that Yang Mi's acting skills are more patterned and technical. What she values is the strategy.
Zhao Liying's years of career as a supporting actor is more integrated, pays more attention to strategic things, and can choose good scripts.
Of course, on the one hand, Yang Mi's " betting agreement " also dragged her back: she missed the opportunity to hone her acting skills, and also delayed the opportunity to understand whether she wanted to transform.
In the years when Yang Mi made quick money, Zhao Liying secretly consolidated her foundation, honed her acting skills, and tried to transform.
urban idol dramas, costume idol dramas, fairy idol dramas, spy idol dramas, in various idol dramas, Yang Mi has become a girl from a girl to a "girl coach", wandering around and wandering around, and her loyal fans have also enjoyed watching it.
When Yang Mi was still immersed in idol dramas with old-fashioned plots such as " Thank you Doctor " and "The Law of 28 Love", and could not extricate herself from the idol dramas with old-fashioned plots, and carried the heavy burden of idols, Zhao Liying had already started to work lightly and tried to explore the path of transformation in " Happiness to Wanjia " and " Wind Blowing Pinellia ": era drama.
Although Zhao Liying and Yang Mi were hard to match when it came to status, Zhao Liying’s current status in the circle is definitely not inferior to Yang Mi, especially in the circle, her reputation is far superior to Yang Mi. In the early days of
, Yang Mi had unique resources; in the middle of
, Zhao Liying overtook the curve, and the two had evenly matched their acting skills;
Later, Yang Mi looked behind Zhao Liying.
In the future, I wonder what the two of them are?
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