Recently, the movie "The End of the Sea is the Grassland", adapted from the real historical event of "Three Thousand Orphans Entering Inner Mongolia", was released in major theaters. Director Er Dongsheng , who has insight into reality, once again pointed the camera at ordinary individuals, and used delicate brushstrokes to depict a touching picture of life of the people on the grassland. The film Chen Baoguo , Ma Su , A Yunga , Wang Qiang , and Luo Yichun starred, and Wang Churan , Huang Yao , Bai Yufan , Cao Jun , Zhang Mingen , Ding Chengxin , and so on. Such a cast is called "Actors Please Take Place - After-sales Edition" by netizens because of the use of many actors who are invited to take place in variety shows such actors.
Movie Poster
Can director Er Dongsheng, who is used to filming suspense films, make a movie that is adapted from a real event like "Three Thousand Orphans Inner Mongolia"? The answer is yes. It is difficult to shoot a story with a huge historical background. There are too many details and too heavy history, so the theme of the story is easily "scattered". Er Dongsheng used a very clever way to enter the entire narrative from the perspective of a small family. The reverse order and the interlude are told in a quiet way, telling the story of the almost forgotten event of "Three Thousand Orphans Entering Inner Mongolia". In the vast era, everyone has their own helplessness, which is a story full of regrets and pain. It is also a story of being healed by love and reaching reconciliation with yourself. The editor’s answer is ’s warmth but not sensational, expressing the highest kindness and great love. The story is so heart-stirring. " Director Er added his understanding of the story of three thousand orphans entering Inner Mongolia, and his aesthetic taste allowed more people to understand this incident and think about this incident. It is truly a rare and good movie.
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50s natural disaster
After the screening, reporters and industry guests gave "The movie in the seemingly plain narrative tone, but there was a strong wind blowing through the grassland. The sadness and love of the world appeared in the moment when the sandstorm broke out and the quicksand was raging. The film is not using history to trap the story, but starting from the perspective of people, using the ups and downs of different people to weave history, so that this history is not empty, but with the breath and heat of the world, and with the mind of the sea, carrying the tears of joy and sorrow, and then turning into great love silently. "Such a very high evaluation.
stills of Ma Su
Outside the film, the acting skills of all actors are also surprising. Chen Baoguo and Ma Su's acting skills are as stable as ever, showing the feelings of their respective roles. Ma Su's mother Sarenna is the absolute heroine in the play. She shows a grassland Eji who has truth, goodness and beauty, and takes good care of her adopted daughter carefully. Especially when her daughter wants to go to Shanghai to find her biological mother, she tells her son that if her daughter really wants to go, she doesn't stop her. It's really her acting skills are bursting and she makes her cry.
The most eye-catching thing is Ding Chengxin and Wang Qiang The two young actors' debut on the screen have their own surprises.
Ding Chengxin Stills
Ma Zhengyuan, played by Ding Chengxin, is an adopted orphan like his adopted daughter Du Siheng. Ding Chengxin shows that this character should have the feeling that mainlanders who grew up on the grassland should have. Although there are not many scenes, it shows the plasticity of Ding Chengxin as a young man who made his debut on the screen.
Wang Qiang Stills
is also gratifying The one is Na Muhan played by the young actor Wang Qiang who premiered on the screen. Na Muhan is a very outstanding character in the movie. He rode a white horse in Mongolian robe, and his body was full of spiritual energy. He perfectly integrated into the role, as if he was the real son of the grassland. Director Er Dongsheng added a language barrier to the character Na Muhan - he had a fever when he was a child, which caused difficulty in pronunciation. This change made the character Na Muhan live. Na Muhan spoke very little, but instead made the whole performance more implicit.In the
film, Mu Han is a real girl. Although he is a little singular, he shows his affection for his adopted sister with his behavior. The young man on the horse silently contributes to his family and has always protected his sister. In the end, he dies in the dangerous quicksand to save his sister. "The child on the horse's back should be Xiaoyong, that Mu Han is not a gentle sheep" . The most impressive scene is that the brothers go to find their sister who runs away. The vast grassland and the unique Humai singing is really a teenager who is not afraid of the thorns ahead. Unfortunately, such a young lady in white horse was swallowed by quicksand to save her sister. Finally, she left a saying to her sister, "Take good care of her father, Eji", and her sister also chose to take Amuhan as her name to take care of her father and Eji for her brother.
Finally, the editor wants to say that the disaster is heavy, but Director Er discovered the strong drama and glory contained in it. The long gentle treatment and slow and simple true feelings are not about using history to trap the story, but starting from the perspective of people, using the human nature of different people to weave history, so that this history is not empty, but with the breath and heat of the world, and with the sea-like mind to bear the tears of joy and sorrow, and then turn into great love silently. The end of the sea is the grassland, the vastness of love, spanning mountains and seas.
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