The well-known "Legend of White Snake" was changed: Xu Xian did not become a monk, and the White Snake was not suppressed under Leifeng Pagoda. Instead, Fahai took off his monk's robe and went to the world.
In 2016, Wang Peiyu, who has always focused on traditional Beijing opera dramas, took over the newly edited play "Chun Shui Du" for the first time, playing the "rebellious" Fahai.
This is like Wang Peiyu walking down from the "high platform".
As a Peking opera actor, she is on the stage, with all kinds of beautiful lighting and dancing, and has a concert effect.
She went on variety shows and was scolded by others. Under the guise of Peking Opera, she went for gold everywhere, and her professional ability plummeted.
In 2018, the third season of "Tucao Conference" premiered. Li Dan complained that she is "the favorite Peking opera actor for those who do not listen to Peking Opera", and the audience burst into laughter.
It is Wang Peiyu’s turn to take the stage. She said: "In recent years, women’s groups, raps, and talk shows have become popular. Peking opera has also become popular, one More than a hundred years ago.”
Although this is a trendy person who emerged from the stage of Peking opera and the first Peking opera actor to go out of the circle, her biggest worry is still It is "unemployed".
But when almost no one cares about this Peking opera, she must say, "There are only two kinds of people in this world, one is people who like Peking opera, and the other is that she doesn’t know that she likes Peking opera. People.”
In Wang Peiyu’s opinion: “Many people say that Peking Opera can’t understand it, but you didn’t listen to it. I believe that as long as you give yourself a chance to understand it, you will love it. "
1. I love Peking Opera, my heart has decided
Today’s Wang Peiyu has a live broadcast, barrage, and variety shows. After a series of operations, he not only has a huge fan group and Weibo super However, tickets are particularly difficult to buy.
But if you look back many years ago, Wang Peiyu's Peking Opera road is full of thorns.
In 1978, Wang Peiyu was born in Jiangnan Water Town. His father was a member of the Chinese medical team in Tanzania. He hoped that his daughter could study medicine or law.
Furong is not as good as beauty makeup, and the breeze of the water palace comes with pearly fragrance. The literary and artistic mother sent Peiyu to learn vocal music, pipa, playing and singing.
"The two of them competed, but my mother won, and I was on the road."
Wang Peiyu's uncle is a fancier in Beijing, and he makes fun of this versatile niece in one day: "You even Peking Opera No, it's amazing."
Xiao Peiyu was not convinced, "How powerful can Peking Opera?", turned around to look for the teacher, after several twists and turns, I found the famous Lao Dan Jiang Wenmei.
"God has opened his third eye." This is a lyric in Peking Opera "Golden Turtle".
Teacher Jiang asked Peiyu to try it by herself before singing. In contrast, Xiao Peiyu was stunned. It turned out that Peking Opera was so difficult. Since then, he bowed his head to worship his teacher and practiced. That year, Wang Peiyu was nine years old.
The practice on weekdays is only the first step. If you really want to make steel, you have to go to a professional place. Wang Peiyu took aim at the Shanghai Theatre Academy.
Waist and leg, shape, vocal music, imitation, and written examinations were all passed, but the admission notice was delayed. On the day of the announcement, Wang Peiyu knew that the Drama Academy did not recruit female students at all.
The first difficulty was actually because of gender. Wang Peiyu was unconvinced and took up a pen to write to the Academy of Drama: "I love Peking Opera and my heart is determined. Whether I succeed or fail, I must dedicate my life to the cause of Peking Opera. ."
Later, the mother took her daughter’s determination and hope and waited for three at the doorIt was only a few hours before the letter was sent in.
Later, in the enrollment guide, the sentence "Except for those who are particularly outstanding" was added to the sentence "Except for those who are particularly outstanding."
Wang Peiyu, who is less than 20 years old, asked everyone to change the rules for her.
2. How many beatings do you have to fight to become a horned child
The first play after enrollment is "Wenzhaoguan", Wang Peiyu wears a public beard for the first time, a rancid smell that has never been washed The smell made Wang Peiyu almost forget his words.
Teacher Wang Siji said, you practice hard, and when you become a "corner", you will have a personal custom-made beard mouth.
This sentence, Wang Peiyu's record is more than 20 years.
But for Wang Peiyu at this time, what is more important than Cheng Jiao'er is that although the school has changed her enrollment guidelines, the school has also formulated a rule for her: after one year, if she fails to pass, she must drop out.
That year, Wang Peiyu was afraid that the teacher would think that she was myopia, so she quietly frugalized and bought contact lenses to wear. A year later, after the assessment period, she dared to wear glasses with integrity.
Wang Peiyu's figure is not soft enough, so when he presses his legs, he tied his legs to those of his classmates, so that when one person falls, the other suffers, and both of them are supporting themselves for each other.
Xuexi is a "seven-year prison", and the living expenses given by the family are deposited with the head teacher for unified custody, ten yuan a week, and withdrawn on the day of the weekend .
A group of children who were studying opera made an appointment to buy a pack of clove hawthorn in Caizhizhai, buy a Napoleon in the milk shed, send a letter to home, go to the opposite cinema to watch a movie, and spend a Sunday happily .
Endures like this until 1993, "Farewell My Concubine" was released. The sentence "How many beatings do you need to be able to make a horn?" and the sentence "One should make one's own oneself", symbolic words make people endure drama Wang Peiyu, who was "torn" by the college, fell in love with Peking Opera again.
Third, hey, isn't this little Meng Xiaodong?
All those who sing in an opera dream of becoming horns. Less than 16 years old, Wang Peiyu became a "corner".
Once, Mr. Tan Yuanshou watched Wang Peiyu's performance through the curtain backstage, and said, "Hey, isn't this little Meng Xiaodong?"
One pass ten, ten pass one hundred, there is a "Little Donghuang" at Shanghai Theatre Academy "The story gets bigger and bigger.
Senior's support, Wang Peiyu himself is also striving. In one performance, Mr. Mei Baorun had a temporary problem with his throat. Teacher Wang Siji recommended student Wang Peiyu to the top. That performance won the eyes of Peking Opera master Mei Baojiu.
Later, the movie "Mei Lanfang" was shot. In the play, Mei Lanfang was naturally matched by Mei Baojiu. Who matched Meng Xiaodong? Mr. Baojiu stretched out his hand and let Wang Peiyu come.
By the way, Meng Xiaodong’s actor is Zhang Ziyi.
I don’t know where I am young.
The 25-year-old Wang Peiyu entered the Shanghai Peking Opera Theatre and only one year later became the deputy head of the Shanghai Peking Opera Troupe.
Unexpectedly, the next year, she left the system and broke into the arena. At that time, she thought she was Zhuge Liang, Qin Qiong, and Mi Heng, that kind of hero.
But soon, Wang Peiyu burned out the money. From rent, water and electricity to theater actors, the world is far from simple.
Back to the starting point again, Wang Peiyu understands "I can't do it, I need help, and I am my own worst enemy."
Most of us can't be heroes of the world, so we changed keep it up.
Wang Peiyu said that he became famous early. Before he was 30, he was eating with his talent.
But after a problem with the vocal cords, she suddenly realized that she hadn't learned any other vocal skills other than singing in the original voice.
This made her realize that "frustration and doubt are opportunities that God leaves for serious people. Everyone has different starting points, talents, and luck. The only thing we can hold is serious."
Fourth, do a play, be a human first
Liyuan has many rules. The teacher can’t sit by himself while standing, and can’t just sit on the box in the outfit, can’t snatch other people’s work, and must cover the stage for peers. Mistakes...
In 2008, before the death of Wang Siji, the teacher of the Drama Academy, Wang Peiyu called this beloved disciple to entrust him.
"Interpersonal relationship is a very important thing for Peking opera actors. Whether it is your fault or not, you should stand up and admit it. Only when your interpersonal relationship is well-rounded can you do it. What you want to do."
Be a human first when you do a show. Wang Peiyu also brings the compliment of the Liyuan trip to a larger stage:
She always said that it’s not that young people don’t like to listen to Peking opera. We should use the language of young people to match Yunbai.
After going round and round, she still aspires to become a bigger actor, still yearning for the era of vigorous Peking opera and the life of a actor raising a troupe.
But in every babble, she also gradually understands that Peking Opera is not only a stunt, but also a law of flowing water.
Before each performance, grandma and granddaughter said, "Peiyu, grandma is waiting for you to be a hit."
But Wang Huiyu told grandma, "Grandma, there has never been a hit." , I have come today because of the help and hard work of too many teachers. You have to accept the fact that maybe one day I won’t be popular.”
渡
But Wang Peiyu, who persuaded his grandma to accept "I am not red", has become red.
According to Baidu Encyclopedia, last year, Wang Peiyu participated in eight variety shows, but no matter how many shows, her purpose remains the same: Let more people see Peking Opera.
She once sighed sadly, "There is a saying in "Farewell My Concubine", saying,'It's a man, he has to listen to the drama, this cat or dog, he doesn't need to listen. Drama', I burst into tears at the time, and I thought, why was I not born in that era?"
Now, the seniors are gone one by one, the audience is old, and the theater is a little empty.
The day she walked into the gate of the Academy of Drama, she stood on the stage of spreading Peking Opera culture.
One day in 2018, Wang Peiyu went to the Peking Opera Theatre to rehearse and saw four or five girls in the practice room learning Hua Dan's movements, one of them was very familiar.
Before Wang Peiyu greeted her, the girl ran to her and said, "Teacher, I am Beibei. Now I am in the fifth grade. I have been learning Peking Opera and I like Peking Opera very much."
Seven years ago, Wang Peiyu taught Peking opera in a small public class with 300 people. A mother born in the 1980s brought her daughter who is less than three years old to the stage and said, "Teacher Wang, can you teach my daughter?"
Wang Peiyu casually taught "Drink the celebration wine today." Three months later, Wang Peiyu held a public class on a larger occasion, and the little girl came up again and sang "Drink the celebration wine today" completely.
A seed that was planted that year germinated later.
The end of "Spring Ferry" is open. Fahai wanted to ferry mortals, but was eventually ferryed by mortals.
Wang Peiyu also said, “You need to figure out some things and step off the stage to fully present it on the stage.”, “Is the play good?, The audience only counts. "
After all, cute smile, not that pear row of years of use it
Author:? Weiyang
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