As Jiang Kun's apprentice, Zhou Wei not only has a close relationship with Jiang Kun, but he is also a member of the leadership team of the Music Association. He is one of the mainstream crosstalk actors who turned crosstalk into a pornographic phenomenon at the end of the last c

Some people say that Zhou Wei was attacked because he did not donate during the Zhengzhou flood last year but instead "donated to you" (quoted from Zhou Wei's words in Weibo in response to netizens' questions).

In fact, this matter can only be regarded as a trigger at best.

Zhou Wei is just a scapegoat for the mainstream cross talk community who does nothing.

As the apprentice of Jiang Kun , Zhou Wei not only has a close relationship with Jiang Kun, but he is also a member of the leadership team of the Music Association. He is one of the mainstream crosstalkers who made crosstalk obscene at the end of the last century and had few works in the first two decades of this century. One of the actors.

The author has posted many times questioning why the programs in the mainstream cross talk industry’s several conferences a year cannot be made public, such as intangible cultural heritage cross talk conferences, cross talk conferences, and various grassroots condolences.

The reason why I mentioned grassroots condolences is because last year Jiang Kun took his team (including family members) to Hongshan District of Wuhan to express condolences. By delivering eggs and providing lunch, he used CMB to pick up a bunch of old men and women to watch the performance.

Why can't these condolence performances and cross talk conferences be made public through the Internet to entertain the people? Is it because there are no performances at all, or is there no new work and the whole show is just a waste of time?

The mainstream cross talk industry is all artists supported by state finance. Is there an assessment mechanism for this group of people, such as the amount of innovation each year, the number of performances participated in, the rate of high-quality products, etc.

Nowadays, the country pays attention to transparency, and even rural village committees make government affairs public. Why can't the performance of mainstream crosstalk artists be disclosed to the people of the country?

The people are as close to you as you are to the people! This is a proposal put forward by Chairman Jiang at the end of last year. This formulation is essentially wrong, because it elevates artists to a position higher than the people and looks down on the people. Teachers have long told us that we must serve the people!

Do you now understand why Zhou Wei was criticized by netizens? Because these people have forgotten their identity as servants of the people. They want to be masters and educate the people as their sons.