Wang Yitai once dissed Ansr J, and Ansr J said that Ty was "extremely hateful"

It's time for the review of "The Rapper of the Week" again. Every time you read, like and leave a message, it is the driving force that supports us to continue this series.

Today is a special session of the CDC. Unlike the previous episodes, where five people came, only four came. It stands to reason that the program team should not only invite four, so it is estimated that there are pigeons.


Moreover, in this issue, Lear has become a double-edged meat again. I don't know if two of them have pigeons, and then they asked Li Erxin to come to the rescue.

The game session in this issue is actually quite fun. I found that the more familiar the players are, the more fun the game session will be. First, everyone knows each other and knows some embarrassing things about each other. Second, they can joke with each other and know Joke scale.

The host of this issue of , , asked, who is the most angry person at the CDC?

Wang Tai , Li Erxin, Ansr J shared the answer is Deng Dianguo, only the answer of Psy.P is Melo.

Moderator's second question is, who is the CDC's favorite prankster?

Wang Yitai, Li Erxin, and Ansr J's common answer is Ty, and Psy.P refers to himself.

Ansr J even more bluntly said that this person (Ty) is "extremely abominable".

It's time for the review of "The Rapper of the Week" again. Every time you read, like and leave a message, it is the driving force that supports us to continue this series.

Today is a special session of the CDC. Unlike the previous episodes, where five people came, only four came. It stands to reason that the program team should not only invite four, so it is estimated that there are pigeons.


Moreover, in this issue, Lear has become a double-edged meat again. I don't know if two of them have pigeons, and then they asked Li Erxin to come to the rescue.

The game session in this issue is actually quite fun. I found that the more familiar the players are, the more fun the game session will be. First, everyone knows each other and knows some embarrassing things about each other. Second, they can joke with each other and know Joke scale.

The host of this issue of , , asked, who is the most angry person at the CDC?

Wang Tai , Li Erxin, Ansr J shared the answer is Deng Dianguo, only the answer of Psy.P is Melo.

Moderator's second question is, who is the CDC's favorite prankster?

Wang Yitai, Li Erxin, and Ansr J's common answer is Ty, and Psy.P refers to himself.

Ansr J even more bluntly said that this person (Ty) is "extremely abominable". Why does

and Psy.P have different answers every time? The reason he gave was:

In addition, in the section on the CDC's shortcoming, everyone also mentioned that Wang Yitai once sang Hook in diss Ansr J's song. According to Wang Yitai himself, he didn't know it at that time. Ansr J,I never thought that my relationship with him would be so good.

The name of the song is "Face and Fangs Whispering", a song from seven or eight years ago, and I can't find the audio. I don't know if anyone reading the article has heard it. The previous game session in this issue is quite interesting. It can be said that it is the most interesting among so many issues. I recommend everyone to watch it.

But let's get down to business, let's talk about a few songs in this issue.

Wang Taitai cooperated with Ai He for "No Time to Cry", this single is the prelude to Wang Taitai's new album. Judging from this tone, this new album is also indispensable to the previous jazz flavor. There are not many jazz colors in this song

, the most prominent part is the alto saxophone of the prelude. The overall effect is still the feeling of Smooth Jazz. There is no application of jazz scales in this saxophone, but more of the feeling of Pop.

However, compared with the previous works, the jazz color of this song is still a bit dull, a bit like Post Bop. To me, this song didn't meet the production standards of Wang Yiyi and Ai Re. The two are good at singing melodies, but they didn't see much thought in the composition.

The whole song has only one eight-beat melody, infinite loop . From Verse 1 of Wang Yitai to the two hooks, the whole song is divided into four minutes, and this melody took almost three minutes. Even if it is a song with more content, it will be monotonous and boring under such a cycle.

and the melody of this song is relatively gentle, and the accents of the two are relatively high-pitched and vigorous. Personally, I feel that since there is no composition that can harmonize the aria and the accompaniment with the melody,Might as well use some gentle rap.

"LL Cool J" performed by Ansr J, this song has AJ's personal characteristics on the flow. The Verse part is sunny and quick-mouthed, and the articulation is extremely clear and elastic. The Hook part piles up triplet sounds, AJ's old routine, but it's powerful.

Shout Out To a lot of people in this song, but it doesn't seem to have any practical significance in the lyrics. I didn't get any stalks or puns. At the same time, the title of this song, AnsrJ gave an explanation, L=Ladies, L=love, J=AnsrJ, cool is the original intention.

In fact, this explanation is a bit far-fetched. Since you want to play with the interpretation of this abbreviation or make a pun, shouldn't you add "." after each letter in the normal format, and this song doesn't reflect the profound meaning he said. Many of

AJ's singles are just playing with Flow and playing with their personal timbre. His own characteristics are enough, mainly handsome, I think this is very good, there is no need to force too many profound meanings that others can't get. "Street Artist" performed by

Psy.P still gave me some surprises. Unexpectedly, Migos just finished the "upper trap", and the ruffian also came to this operation. The arrangement of

is relatively insignificant to the upper class, after all, the tone of guitar is still a bit "popular". The arrangement of this song reminds me of Li Jialong's album's first single "Legend", here's a cue to Li Jialong, where did the album go after half a year?

The arrangement of the two songs is somewhat similar, the chord composition of the guitar loop and the ethereal sound similar to the flute, but this song highlights the guitar more. The control of Psy.P is still very beautiful, although it is still arranged by Trap's Flow,But it is rare to hear him fill the Flow so much and increase the speed.

For a more traditional idea, this kind of Flow will not be used for this low-speed BPM. It should be a looser and slower psychedelic feeling, but the control of the ruffian is surprisingly harmonious.

Lear's new performance of "Creestyle", since ATM did not release an album and started personal development, Lear's new single is more and more brisk. Arranged by a popular big band, the accompaniment is very beautiful, and the , jazz, and the characteristics of the big orchestra are well expressed, but Lear's new control is a bit difficult to describe.

I think the main reason is his timbre and rap tone, which are a bit unsuitable for this accompaniment. The gorgeousness and beating of the acoustic instruments make Lear's new timbre and Back's timbre very frustrating and of poor quality. Of course, this may have something to do with the live version. I hope that after the studio version is released, the sound will appear a little more rounded.

Which of the five songs in this issue is your favorite? Welcome to communicate in the comment area.

Even if it is a song with more content, it will be monotonous and boring under such a cycle.

and the melody part of this song is relatively gentle, the tones of both of them are relatively high-pitched and vigorous, I personally feel that since there is no composition that can harmonize the melody of with accompaniment, it is better to use some soft rap.

"LL Cool J" performed by Ansr J, this song has AJ's personal characteristics on the flow. The Verse part is sunny and quick-mouthed, and the articulation is extremely clear and elastic. The Hook part piles up triplet sounds, AJ's old routine, but it's powerful.

Shout Out To a lot of people in this song, but it doesn't seem to have any practical significance in the lyrics. I didn't get any stalks or puns. At the same time, the title of this song, AnsrJ gave an explanation, L=Ladies, L=love, J=AnsrJ, cool is the original intention.

In fact, this explanation is a bit far-fetched. Since you want to play with the interpretation of this abbreviation or make a pun, shouldn't you add "." after each letter in the normal format, and this song doesn't reflect the profound meaning he said. Many of

AJ's singles are just playing with Flow and playing with their personal timbre. His own characteristics are enough, mainly handsome, I think this is very good, there is no need to force too many profound meanings that others can't get. "Street Artist" performed by

Psy.P still gave me some surprises. Unexpectedly, Migos just finished the "upper trap", and the ruffian also came to this operation. The arrangement of

is relatively insignificant to the upper class, after all, the tone of guitar is still a bit "popular".The arrangement of this song reminds me of Li Jialong's album's first single "Legend", here's a cue to Li Jialong, where did the album go after half a year?

The arrangement of the two songs is somewhat similar, the chord composition of the guitar loop and the ethereal sound similar to the flute, but this song highlights the guitar more. Psy.P's control is still very beautiful. Although it is still arranged by Trap's Flow, it is rare to hear him arranging Flow so full and speeding up.

For a more traditional idea, this kind of Flow will not be used for this low-speed BPM. It should be a looser and slower psychedelic feeling, but the control of the ruffian is surprisingly harmonious.

Lear's new performance of "Creestyle", since ATM did not release an album and started personal development, Lear's new single is more and more brisk. Arranged by a popular big band, the accompaniment is very beautiful, and the , jazz, and the characteristics of the big orchestra are well expressed, but Lear's new control is a bit difficult to describe.

I think the main reason is his timbre and rap tone, which are a bit unsuitable for this accompaniment. The gorgeousness and beating of the acoustic instruments make Lear's new timbre and Back's timbre very frustrating and of poor quality. Of course, this may have something to do with the live version. I hope that after the studio version is released, the sound will appear a little more rounded.

Which of the five songs in this issue is your favorite? Welcome to communicate in the comment area.