summarizes the whole plot of "Blade of Ghost Slayer" in three words: hit, hit, hit! Fight after fight has put together more than 20 episodes. Ghost Slayer Blade, Ghost Chopping Knife, the only role of ghosts is to induce a fight, and then be slashed by Tanjirou. This is no different from the upgrade in the game. . At the beginning of the anime, the protagonist lives in peace and tranquility, but if the story continues to develop at this tepid rhythm, it will be worthless. Therefore, the author arranged a shocking scene of the death of Tanjirou's family. The purpose of the compilation is obvious: to detonate a conflict! Because the plot of living a small life in peace and stability is boring and unattractive, if you want to see it, then play a big one. If "Family Kill" is played very big, it will quickly arouse the audience’s nerves and firmly grasp the audience’s attention. Strength, arranging in the plot of the story is a common method for arranging the incredible events that are rare in real life. The whole family is killed and the atmosphere is in place. Then Tanjiro saw that his sister was still alive, so he rescued his sister "Nidouzi" from the pile of corpses, but her sister had become a ghost. There is another doorway here, and then at least two conflicts can be arranged: first, Nidouzi turned into a ghost and attacked Tanjirou as a human being, putting the protagonist in danger; second, ghost hunters hunted Nidouzi and let You beans are in danger. Among them, it is convenient to set up fighting scenes, and the fighting scenes are loved by the audience. The audience hopes to fight more. The author did design the fighting later on purpose.
Let’s talk about the identity of Mi Douzi. She is a person, but her attributes in the play are like a pet. Although Nidouzi is Tanjiro's sister, a relative, and a person, her actual identity in the play is a "pet", not that people are pets, but that the role played in the play is no different from that of pets: no Talking, being carried in the back basket, not participating in the main storyline, only waiting for Tanjirou to rescue him when he is in danger, and acting like a spoiled dog, like a dog, like a dog loyal to his master? The pet role is correct. So why did you want to join the role of Nidouzi? Why didn't the author let Tanjirou leave alone, and had to arrange a "pet" to follow? Because if Tanjiro set off alone, walked alone, and did not interact with anyone on the road, it would be too boring and tasteless. All the plots on the road "Ka Ka Ka" are deleted, it is useless! Just one point of interaction is missing, so adding the role of Nidouzi and adding new interactions will enrich the plot and not be boring. Also, why is Tanjirou rescued from his home, not his father, not his mother, but his sister? Because my sister is cute! Tanjiro is going to travel with his younger sister. Except for the younger sister, everyone else with him violates the peace. Should he carry his parents and brothers on his back as pets? Are you serious? And if it’s not Nidouzi but other family members, such as my brother, then the animation will directly lose one permanent female character, one male and one male. Not to mention the unbalanced character distribution, but also the loss of a lot of love. Find in the animation Fans of Ruanmei are not hot. In summary, the only one alive is Nidouzi!
Then, in the second episode, Tanjiro followed Master Lin Taki to learn ghost hunting, and he took part in one episode, and then participated in the tournament with outstanding results. Excuse me, how about your growth? In just one episode, Tanjirou has evolved from a waste material who does not practice martial arts to a ghost hunter. Your growth is too easy! Most of the hot-blooded comics are like this, including sports comics and fighting comics, all of which are in this routine: In the first episode, the protagonist is a waste material, so what can't be done, he is left out in the cold; in the second episode, the protagonist joins the team to learn and begins Dreaming Journey; Episodes 3~4, learn something, and fight with the strongest enemy in the past five or five times; Episode 5, formal evolution, torture and kill the strongest enemy. After each episode, the protagonist will fight all over the world, no matter who he competes in the middle, he will always be evenly matched, and the protagonist will always have a big win in the end. If the hot-blooded comics are to educate young people to chase their dreams, then 5 episodes are enough, because in only 5 episodes, the protagonist jumps from a low-level waste material to become the king of glory. After that, no matter which enemy he fights, no matter how many enemies there are Strong, they are always 50-50 and still have the upper hand. In the last episode, you can't, in this episode, you are so strong! Waste material is fake waste material, waste material is not real waste material! The boy manga only draws fights. As for the process of growing up, I won’t tell you, just figure it out for yourself! After a short training session, Tanjiro was full of super combat power and started his journey. Passing by, killing a ghost, passing by, killing a ghost, the meaning of ghost existence is to kill a dragon character first. Then he was killed by Tanjiro. If the ghost doesn’t know it, it’s not worth eating the individual, eat a dragon role, awaken TanzhiLang's "sense of justice" was then killed. The author did not portray the image of the bad guy so that it is gritted teeth, only said, who you killed, that person is a good person, you kill a good person, and then you deserve to die, what? What the villain killed was a dragon-set character who didn’t even know his name. He died when he appeared on the scene, or even before he showed his face. The villain’s evil things will not be explained in detail. I can’t feel the “badness” of the villain, and then said, you are The bad guys should be killed, this is extremely unconvincing! The reason for the villain's murder is also straightforward. I want to get food, and I feel dull about life. Then in the process of fighting, the villain tried their best to fight and used their moves to fight with all their strength, without showing any evil. Then, the protagonist won, killed the villain, and said, "This is a just sanction!" What a dignified protagonist's halo! The
villain is a tool man, a "ghost" who was killed by Tanjiro, and a tool man. The "ghost" is also a tool man used by the author to make the story more exciting. Because, to arrange a story, it is necessary to insert multiple conflicts. If you don’t fight for life or death, the plot is not good. Arranging the villain to enter the scene is to use him to fight the protagonist to activate the atmosphere and make the story look good. Are you a bad guy? Important, fast, fight with me and then be killed by me, the audience is waiting to see it! The only meaning of the villain's existence is to fight with the protagonist. The protagonist is a good person, and the villain must be a bad person. They are all tools to enhance the story's excitement. In the plot of the Complete Ghost Slayer: Tanjirou is either killing ghosts or rushing to kill ghosts. Why? Want to fight! To fight! If you don't fight to death, no one will watch! The fighting scenes are wonderful and beautiful, so the complete episode arranges a fight! However, fighting again and again has new ideas, and fighting all the time will make you tired. The early stage is acceptable, but the later stage, I keep saying that this place is dangerous, and that place is dangerous. Tanjiro has repeatedly stepped up to the danger, and it is very blunt. Strangely, killing one to make up for another, killing one and another, keep coming, so boring. The author's intention is to let us watch the drama and watch the fight. If he wants to make up wonderful, he can only supplement the battle scene!
During the fight, the "ghost" of the villain couldn't help fighting, and was killed by Tanjirou again and again. Tanjirou could not handle it, so he could find a rescuer. The villain is always at a huge disadvantage, beating once and killing once, and then dying after the show, without any suspense. I only saw the 20th episode and it’s not yet the finale. I guess the story behind it~~Boss must be Guiwu Tsuji Mimei. During the battle, he will show off at first and show off another ghost. Then, I lost different superpowers, pretended to be forced for 3 minutes, then was second, died, and ended. Because the previous little ghosts are all invincible, they are handsome but only 3 seconds, and they are embarrassed to die. According to the author's thinking, Guiwu Tsuji Mumai should end in the same way. It is clear that the protagonist will win, first lose small and then win big, but the author is to make it evenly matched, knowing that the protagonist will win, knowing that the crisis will be resolved in the end, knowing that there is no suspense, and the middle of the show is very exciting, playing as if evenly matched and cute To play? Indeed, in anime, as long as you start fighting, as long as the characters are in danger, as long as they are evenly matched, no matter how plain the suspense, no matter how clumsy the technique, the story will be very appealing, why? Perhaps this is "instinct"! As long as those scenes, fighting scenes or wits are released, people's attention will be instinctively attracted to it, and no one can reject the charm of "contradictions"! Knowing that the characters are safe, knowing that it is meaningless, and love to watch it, because even the most botched contradictions and conflicts are catching people's hearts. A story has no contradictions, no conflicts, and nothing to watch. There are conflicts and conflicts that are worth watching. If the story has some connotation And deep meaning, then this trick is almost invincible! The anime of Ghost Slayer uses this trick. Although the protagonist has a complete victory, he is often in danger on the way and is evenly matched every time. Therefore, the plot is firmly focused, and I don’t care about the ending. Layered routines are the instinct that can evoke excitement! good looking!
After finishing the plot, let’s analyze the characters. The first paragraph talks about the meaning of the role of Nidouzi. Let’s analyze other characters. From the author's point of view, the reasons for the characters' appearance are either to enrich the plot or to fill in the hole that was buried before, both have a purpose. Needless to say, the reason why the villain of Demon Slayer Blade appeared on the scene is to get a knife, so that the protagonist has a chance to fight, so that the plot can develop. The only meaning of the villain's existence is to create an exciting fight! The appearance of the dragon-clad character in the Blade of Demon Slayer is either to aggravate the crisis, portray the tension and reflect the enemy behindIt's terrible, either it means being beaten or killed, reflecting that the enemy behind it is very cruel, or it affects the protagonist's decision, paving the way for the plot, and letting the plot follow the author's will. In the Blade of Demon Slayer, the villain first kills a dragon, creates a crisis, and makes things worse, so that Tanjirou can further intervene in the situation later. Sometimes the dragon is directly killed by the villain in order to strengthen the villain's power.
After talking about the dragon set, talk about important supporting roles, my wife Zenizu and Mouthira Inosuke, these two roles, what role do they play in the play? I think that in the later stage, the battle situation is getting bigger and bigger, the enemy is getting more and more, it is impossible not to arrange two helpers for the main character! Fighting a group of ghosts alone would be against the peace. Arrange a newcomer to play! Then, these two characters correspond to a certain part of the audience. The audience will find a character similar to their own in the play, so as to seek a sense of identity. The growth of that character in the play will also allow them to see their own growth. In order to please the audience, I designed two more "dream chasers", which is great! Designing two more supporting roles also expands the richness of the worldview, huh? What is richness? Richness is diversity. When watching a play, we will all have an impression of whether the world in the play is big or small. The plot and characters determine whether the story depicts a big world or a small world. Then, I think an anime, the more "different" things there are, the bigger the worldview and the richer the worldview.
So what are "different" things? For example, the characters have different personalities, different appearances, or different time and space. Mixing various "different" things together reflects "difference". The greater the "difference", the richer the worldview. For example, in a fighting movie, during the fight, you also fight on the branches and rivers. From the sky to the ground, from the ground to the ground, the rain keeps changing when the weather is cloudy and sunny. A story happened. The location changes from time to time. This is called a space transition. Every time, the space is "different" and "different". Therefore, the world view is magnificent and directly constitutes a "big" scene. In other words, this Ghost Slayer Blade can be made with more effort on the appearance of ghosts. It can be tall, short, fat, and thin, animal shapes, plant shapes, robot shapes, etc. The bigger the difference, the better. It will look like a huge team of thousands of troops. The arrangement of fights can also be made. Each ghost has his own proprietary skills, each fight is played differently, and new tricks are played again and again. This is also called "big difference". The whole plot will It seemed like a gamble, the Blade of Demon Slayer did a good job in this regard, and the super powers used by each ghost were indeed different. In addition, the large number is also a factor that enriches the worldview. The large number, for example, there are many people and the number of scene changes, so the amount of information becomes larger, which constitutes a huge worldview. Can "large numbers" also increase the worldview? Quite simply, a war movie with thousands of people in the same frame and thousands of people running and fighting is a big scene in itself, and it is also a big world. I won’t cite other examples. Anyway, "large differences" and "large numbers" are the decisive factors that constitute a huge worldview. Moreover, whether there are large differences and large numbers, whether it is a person, a thing, a space-time, or a virtual ability, Whether it's ideology, it's okay, everything can fit into it!
In order to create a rich worldview, Z1z
has arranged many characters, and they are indeed different in shape, all of which are very different! For example, ghosts, there are ghosts that look like animals that die with a stab, there are ghosts that look pale and petite and look like humans, there are ghosts who kill innocents and build forces, and there are Miss Zhushi. The same good ghosts who go to medicine and do good, and Youdouzi, a ghost who can't speak. There are great differences in various forms, so that the entire "ghost" family seems to be huge. For another example, human beings, like, my wife Zenyi and the mouth flat Inosuke, wrote two people with different personalities, one is weak, one is strong, one is weeping, and the other is clamorous, who portrays two worlds, enlarged "Differences" make the world view bigger! This kind of big "difference" can not only enrich the world view, but also highlight the contrast and enhance the drama. Take the difference in character, because you are different from him, so your character has a bright personality and is easy to remember , If you are different from him, he is different from him, and he is different from him. In this way, every character is very different, the character of each character is distinct, and each character is very impressive. Moreover, this "difference" is not only the comparison between you and him, but also the comparison between you and you, what does it mean?? This is called "contrast." If you have a self-contradictory personality, with a warm side and a cold side, then you can easily be impressive. Demon Slayer Blade has also used this method many times. The mouth is flat Inosuke, the rough man, with the headgear removed, below is a beautiful face of a woman, the rough man has a beautiful face, contradictions, contrasts, and contrasts. , This person is easily impressed. Butterfly Ninja, using the softest tone to say the most vicious words, gently encouraging and saying that he would kill you, brushed his sleeves after killing the ghost, still smiled and said soft words, contrast, contrast, and impressive. It's just that the author of Demon Slayer Blade uses it very bluntly, unnaturally, and deliberately every time.
does not use the contrast method, so what else would the author do when creating the character? attach a label! For example, Yushiro, Yushiro’s attendant, from the first sentence to the last sentence, praised Miss Zhushi’s beauty and the gentleness of Miss Zhushi. He kept a character repeating Speaking of the same idea, I have been emphasizing a character’s special hobbies. For example, “He likes to eat sandwiches. He does not eat sandwiches from morning to night. He also eats on the bus, in the park, and in class. I bought a cookbook for sandwiches, learned about the history of sandwiches, and found a girlfriend who also loves sandwiches.” This is the method of labeling, which can indeed make the characters stand out and impress. In addition, Yushiro's role in the praise of Miss Zhushi is also to indirectly establish the image of Miss Zhushi before the audience. Anyway, the method of labeling is to make the character's image fresh and vivid, and make the character deeply rooted in the hearts of the people, but it is very rigid and has no technical content. The author of
Ghost Slayer's Blade also portrays the characters extremely exaggeratedly. My wife Shanyi confronts the ghost, yelling with fear, and the noise makes my ears numb. In one episode, I listened to Shanyi alone. Too exaggerated, this is the author deliberately, because people who behave exaggerated are the easiest to remember, "exaggeration" is a magic weapon to portray a character's personality! But the author used the method of "exaggeration" rather bluntly, and I only felt annoyed by Shanyi's voice, and I didn't realize the character of the character. Let alone exaggeration, the author has not set the strength reasonably. My wife Shanyi is just a five-scumbag, but in the setting, he is a king of fighting. He is timid and timid to shrink so that it is impossible to break out of high strength. Combat power, on the one hand timid like a mouse, on the other hand, it is very unreasonable to kill all quarters, so how can he play the power of the king? The author was really helpless, so he set it to be that as soon as Shan Yi went to bed, his combat effectiveness would explode. This is not a personality characteristic. Shanyi's combat effectiveness exploded as soon as she slept, and her hair was inexplicably smashed by lightning. It was too messy! Really, there are a lot of unreasonable places in the works, and they force themselves to justify themselves. Why? I think that there are so many unreasonable places because the plot is designed and arranged rationally. The creators have poured many bright elements into the plot. The plot is calculated, and everything wants to be taken into account. The finished product It is unnatural and unreasonable, so many places are really stiff!
I haven’t watched 6 episodes of the Blade of Ghost Slayer. There is no doubt that the following plot will be, fight, fight, fight, fight until the end! I saw the 20th episode, and I only saw the 19th episode. I just heard that the 19th episode is the most exciting and the best in the whole series? In my opinion, the feature of episode 19 is that an unexpected plot comes out every 2 minutes, and a new change appears every 2 minutes. The protagonist also encounters a real danger to the bones. Finally, the fighting spirit is ignited. The story leads to the climax. This episode is indeed the best compared with other episodes of Demon Slayer Blade, but it's generally so-so, the one you can forget after reading it. The differences between this episode and other episodes can be used as a way to write stories, so what is the difference? The first is that the danger is extremely high. If you don’t pay attention to it, the character will really die. It is always tight to the extreme, like walking a tightrope in the sky, holding your breath; the second is the accidental density, which will be introduced after a short time. A new change, a greatly unexpected change, and each change largely determines the overall direction of the story. This is the new feature of episode 19 that is different from other episodes. It can be regarded as a formula for story creation. Keep it in mind! The 19th episode of
meets these two points and it is wonderful, but I still think that the overall picture is general, because, for a juvenile manga, the author also deliberately uses the juvenile thinking habits to think about the teenager’s psychology, and the plot arrangement is probably Also caters to teenagersThere are a few awkward, awkward chats, and naivety in his character, I can't stand it! The camouflage is mature, and there are many superficial principles. There is no depth and it is blunt. But as a fighting comic, it becomes a pure stunt without a little principle. The shallow connotation is also connotation, let the audience watch the battle. Feel the sense of fulfillment at the same time of the scene. Don’t talk about depth with animation. The true depth is never in the animation. Even if there is, it is just some of the author’s personal thoughts unknowingly being carried in it. A story is always first and wonderful. Thoughts and philosophies are irrelevant and short. Short duration can't add complex connotations, so it doesn't need to be taken seriously. Ghost Slayer Blade, the whole work is average, one after another fight constitutes the complete set. It is the author's intention to have a good fight and make you look good. The story is so, but the victory lies in the good quality of the picture, the scenes of the scenes are not muddy, the animation version is well produced, the fighting scenes are crisp and neat, the shots are crisp, the colors are full, the lines are sharp, and the Chinese dubbing is also good. The score is 7 out of 10. Minute.
