2022 is over, and various lists on all major platforms have also come out.
This year is the year when Chinese dramas exploded. In terms of
type, there is " starts ", which pioneered the unlimited streaming type, and achieved a double explosion of word-of-mouth popularity.
There is a surprising and in-depth drama " Human World ". It turns out that the "intergenerational issues" deeply rooted in Chinese dramas can also be solved.
Even if there is no innovation in the subject matter, as long as the director, screenwriter, actors and all behind-the-scenes staff work hard.
"Old" themes can also have a second spring.
Of course, in the past year, what attracted us the most was the actors.
From the leading role to the supporting role, there are many surprises in the field of Chinese dramas alone.
The film and television industry's recognition of powerful actors makes us sigh: The trend in the entertainment industry has changed..
After several years of exploration, Chinese dramas have finally found the correct "method of use" by veteran actors.
In this regard, Qingshi wants to say:
It's really good! Because only by daring to resolve to reject "symbolic actors" can Chinese TV dramas achieve true self-help.
1,
The emergence of "symbol actors" shows that the spring of old actors is coming.
However, it is not all a good thing.
What is a "symbol actor"?
From the most superficial level, it can be understood that in Chinese dramas we most often see powerful actors who often play the same type.
In recent years, a very strange phenomenon has appeared in the entertainment industry.
The variety shows brought tears to people's eyes, and they couldn't help but praise God for their "god-level" acting skills more and more.
But once you appear on a variety show, it is easy to reveal your true colors.
Therefore, a new term was born - "variety show acting".
In contrast to this phenomenon, in recent years, the content of old actors in domestic dramas has become higher and higher.
In the dramas that have been aired, you can see at least one familiar old actor in almost every drama.
Someone with strength is finally seen, which is a good thing.
Although there have often been drama stars who have made it out of the industry with their acting skills before, but if you really want to count, 2019 will be the year when they make a big appearance in the industry.
In 2019, the national TV series " Ice Breaking Operation " was launched.
This drama quickly became a hit due to its strong plot, fast pace, and high twists.
became famous together with this drama, as well as many veteran actors in the drama.
For example, Wang Jinsongplayed "Uncle Dong"Lin Yaodong. This role made Wang Jinsong angry.
Although he has been in the industry for more than 30 years and has played many roles, big and small, "Icebreaker" is indispensable for being able to enter the mainstream.
In the play, he plays Lin Yaodong, the village party secretary of Tazhai Village.
This is a very complex role.
On the surface, he is the village party secretary. He thinks about everything and is a respected person with high status.
But he is also the godfather of methamphetamine. Not only does he want to make a lot of money, he also wants to firmly grasp the soul of every clan member.
Uncle Dong’s ruthlessness is frightening. Wang Jinsong won the favor of major awards for this role.
After that, Wang Jinsong's roles increased, and he began to appear in various types of dramas.
He is Lu Shiyu, the prince's mentor in "Crane Huating", Chen Jinyan, the wise policeman in "Only Sunshine", and his breakthrough role as Chiang Kai-shek in "The Great Battle ".
No matter what kind of role he is, under his interpretation, he will never repeat it.
In this drama as well, Wu Gang 's acting skills are outstanding.
In the play, Wu Gang plays Li Weimin, deputy director of the Narcotics Control Bureau of the Guangdong Provincial Public Security Department. This role was stamped by the director as "the most difficult to play".
In his body, one can not only catch a glimpse of the appearance and posture of a "chess player" who is in a high position,
can also detect his doubts and speculations that affect his whole body at the slightest moment and dare not "make a move".
Wu Gang did a great job, and the characters in each period were handled very emotionally.
Although he did not participate in this drama, Liu Yijun, who is known as the "professional villain", Liu Yijun has also been in the ranks of veteran drama stars.
His performance in "Fox Hunt" can be called an acting textbook.
Liu Yijun plays the big boss Wang Bolin in the play. Although this role is a supporting role, it is very popular.
During the behind-the-scenes interview, several leading actors were asked: "Besides your own role, who do you most want to play in this drama?"
The answer was surprisingly consistent, it was Wang Bolin.
This character is very three-dimensional. He is smooth-talking when he is treacherous, but he does not show his authority when he is ruthless.
is not easy to act, but Liu Yijun did a good job.
's every gesture, every look, and even subconscious movements,
portrays Wang Bolin as a cunning old fox, which is difficult to control without a certain amount of skill.
In fact, Liu Yijun was already out of the industry as early as the period of " Pretender ".
He is Wang Tianfeng in "The Pretender", and he is also Xie Yu in "Nirvana in Fire".
is still Pei Ze in "He's Coming, Please Close Your Eyes", Zhang Wanlin in "Great Expectations"...
is also a villain. Under his interpretation, everyone has his own characteristics, and the characters are not the same at all.
For veteran actors represented by Wang Jinsong, Wu Gang, and Liu Yijun, acting skills have become their calling card.
It is precisely because of the recognition of their acting skills that
"symbolic actors" gradually became a symbol, a type, and a fixed label in Chinese dramas.
Sometimes, their appearance represents the content of the drama's old drama, and may also reflect the quality of the drama to a certain extent.
But it's not all good.
2,
In fact, the emergence of "symbol actors" is a way for domestic dramas to be lazy
Why do you say this?
Wuyuan Culture co-founder Ma Li Lingshan once put forward a point:
The drama industry’s pursuit of traffic stars is similar to the pursuit of big IPs, both for “ control variables ”.
To put it mildly, another word would be: Reduce risks
Because no matter what, film and television dramas are still commercial products, and investors need to consider costs and benefits.
So when making TV series and selecting actors,
they are not sure what kind of profit the series will ultimately bring, so they will be more inclined to choose actors with traffic and popularity.
is also easy to understand when it comes to the type of drama.
If a subject is popular, it means that it has an audience. In order to realize profits faster, taking pictures is the fastest way.
For example, the female-themed drama series has been very popular in the past two years.
uses social news to capture some of the current pain points, and then amplifies these pain points to resonate with the audience.
Look, the popularity is coming.
So in the past two years, there have been a lot of female-themed dramas, and everyone wants to get a piece of the pie.
But there are really not many that can achieve both good reputation and popularity.
Similarly, after the theme of sister-brother love becomes popular, it can be used again.
Take Qin Lan who is well-known in the field of sister-brother romance as an example. Because of the drama " The Reasonable Life ", she and Wang Hedi gave the impression of "Dog Sister Love". After
, she has many works with similar themes.
So much so that this year, when she aired another sister-brother love story, the audience did not react for a moment:
Is this a revival of an old drama or the launch of a new drama?
Qin Lan seems to be stereotyped.
There are more dramas with the same theme, and naturally, there are more and more stereotyped actors.
Jin Dong, who was once regarded as one of the lucky stars of domestic dramas, also fell into the vicious circle of "copy and paste".
Whether active or passive, his "elite" persona has indeed been with him for a long time.
Just as netizens commented:
"Jin Dong feels that everything he plays is the same. His modern dramas always stick to the same elite character."
"The essence of this drama is Su can be said to be suitable for any of Jin Dong's works after 2015. "
" I have only played one role in ten years, but I am still convinced. "
At the end, when the audience sees Jin Dong in suits and ties, they will inexplicably feel a kind of "elite PTSD".
In the drama involved, the audience even concluded the "law of villains".
"Liu Yijun, Wang Jinsong, Zhang Zhijian must have a "ghost"."
"When there is Liu Yijun , Wang Jinsong is a policeman; without Liu Yijun, Wang Jinsong is a drug lord."
According to incomplete statistics, in recent years, Liu Yijun has appeared in as many as 9 dramas involving crimes, including 6 as the villain.
Ning Li, a classic villain well-known to the public through "Undocumented Crime",
also participated in 8 dramas involved in the case, including 6 as the villain.
Also surprising in terms of quantity are , Zhang Xilin, and Wang Jinsong, both of which are five.
As a frequent guest in dramas involving crimes, because the themes are too similar, it is inevitable that the roles he gets will be repeated.
It is no wonder that netizens have such regular summary.
But many times, this is not an active choice by the actor, but is forced to accept market demand.
In the past few years, domestic dramas have developed a skill of their own, which is "batch copying" .
In addition to looking for popular themes to copy, he is also lazy when it comes to actor selection.
Find an actor who is familiar with the "setting" to play the role, and you can define the character of the drama in one go, which can save a lot of trouble.
In the words of the "boss", it means controlling variables, reducing variables, and reducing risks.
But for creative actors and directors, this is limiting.
For the audience, controlling variables means patterning and routines. Where are the surprises if the variables are gone?
Therefore, this is definitely not a good thing for the film and television industry.
3,
Fortunately, in 2022, the trend in the entertainment industry has changed, and there are fewer and fewer "symbol actors".
2022 is a good year for domestic dramas.
What highlights this statement most is obviously the diversity of types.
Naturally, there are more outstanding supporting roles in Chinese dramas this year.
html In the high-concept hit "The Beginning" at the beginning of 2019, "Guo Aunt" Tao Yinghong's performance was very surprising.
Whether you have watched this show or not, you must have seen the relevant clips of "Auntie Pot".
In the first few episodes, she had almost no lines, but the way she looked directly at the camera was full of oppression, enough to make people shudder.
And because of the "infinite flow" plot setting, she vividly interprets the three words "eyes killing" in the repeated explosion cycle.
Anyone who has followed the show will be frightened.
What’s more, “Auntie Guo” was listed as one of the “shadows of adulthood”.
The sequelae is that she never dares to look directly at the pressure cooker or the aunt in gray again.
The actor who plays "Auntie Guo" is Liu Dan from Nortel 90 Acting Class.
She was classmates with Huang Lei and Jiang Wu. After graduation, she was recruited by China National Theater and spent most of her time on the stage.
has been in the industry for 30 years and has only participated in 33 works. Her appearance rate is not high, but her acting skills speak for her.
"Little Mo's Mom" in "Children of the Qiao Family", "Mr. Zhu" in "Love is Delicious", "Head Teacher" in "The Future of Summer", and the cleaning aunt in "Skyscraper" are all masterpieces of her acting skills.
There is also the absolute powerful Wang Xiao who has made a strong presence this year.
Wang Xiao has been very productive this year. From the beginning of the year to the end of the year, he has appeared in various types of dramas.
He partnered with Li Xiaoran in "我有你", and played the role of a fake husband very realistically.
Turning back to " Our Marriage ", he can also play an elite who is complained about by his colleagues as "straight male cancer".
In "The Wind Rises in Longxi", although he was offline after 6 episodes, he was very impressive.
Not to mention, in " Basic Law of Genius ", " Grand Examination " and " County Party Committee Courtyard ", he also has roles with a wide range of roles, but with a high degree of completion.
What also surprised us was Li Naiwen . As a recognized golden supporting role, his role span this year is also very wide.
In the just-concluded suspense drama "The Returned Daughter", with a big back and small sunglasses, he acted like a nouveau riche boss in the late 1990s. 2022 is over, and various lists on all major platforms have also come out. This year is the year when Chinese dramas exploded. In terms of type, there is " starts ", which pioneered the unlimited streaming type, and achieved a double explosion of word-of-mouth popularity. There is a surprising and in-depth drama " Human World ". It turns out that the "intergenerational issues" deeply rooted in Chinese dramas can also be solved. Even if there is no innovation in the subject matter, as long as the director, screenwriter, actors and all behind-the-scenes staff work hard. "Old" themes can also have a second spring. Of course, in the past year, what attracted us the most was the actors. From the leading role to the supporting role, there are many surprises in the field of Chinese dramas alone. The film and television industry's recognition of powerful actors makes us sigh: The trend in the entertainment industry has changed.. After several years of exploration, Chinese dramas have finally found the correct "method of use" by veteran actors. In this regard, Qingshi wants to say: It's really good! Because only by daring to resolve to reject "symbolic actors" can Chinese TV dramas achieve true self-help. What is a "symbol actor"? From the most superficial level, it can be understood that in Chinese dramas we most often see powerful actors who often play the same type. In recent years, a very strange phenomenon has appeared in the entertainment industry. The variety shows brought tears to people's eyes, and they couldn't help but praise God for their "god-level" acting skills more and more. But once you appear on a variety show, it is easy to reveal your true colors. Therefore, a new term was born - "variety show acting". In contrast to this phenomenon, in recent years, the content of old actors in domestic dramas has become higher and higher. In the dramas that have been aired, you can see at least one familiar old actor in almost every drama. Someone with strength is finally seen, which is a good thing. Although there have often been drama stars who have made it out of the industry with their acting skills before, but if you really want to count, 2019 will be the year when they make a big appearance in the industry. In 2019, the national TV series " Ice Breaking Operation " was launched. This drama quickly became a hit due to its strong plot, fast pace, and high twists. became famous together with this drama, as well as many veteran actors in the drama. For example, Wang Jinsongplayed "Uncle Dong"Lin Yaodong. This role made Wang Jinsong angry. Although he has been in the industry for more than 30 years and has played many roles, big and small, "Icebreaker" is indispensable for being able to enter the mainstream. In the play, he plays Lin Yaodong, the village party secretary of Tazhai Village. This is a very complex role. On the surface, he is the village party secretary. He thinks about everything and is a respected person with high status. But he is also the godfather of methamphetamine. Not only does he want to make a lot of money, he also wants to firmly grasp the soul of every clan member. Uncle Dong’s ruthlessness is frightening. Wang Jinsong won the favor of major awards for this role. After that, Wang Jinsong's roles increased, and he began to appear in various types of dramas. He is Lu Shiyu, the prince's mentor in "Crane Huating", Chen Jinyan, the wise policeman in "Only Sunshine", and his breakthrough role as Chiang Kai-shek in "The Great Battle ". No matter what kind of role he is, under his interpretation, he will never repeat it. In this drama as well, Wu Gang 's acting skills are outstanding. In the play, Wu Gang plays Li Weimin, deputy director of the Narcotics Control Bureau of the Guangdong Provincial Public Security Department. This role was stamped by the director as "the most difficult to play". In his body, one can not only catch a glimpse of the appearance and posture of a "chess player" who is in a high position, can also detect his doubts and speculations that affect his whole body at the slightest moment and dare not "make a move". Wu Gang did a great job, and the characters in each period were handled very emotionally. Although he did not participate in this drama, Liu Yijun, who is known as the "professional villain", Liu Yijun has also been in the ranks of veteran drama stars. His performance in "Fox Hunt" can be called an acting textbook. Liu Yijun plays the big boss Wang Bolin in the play. Although this role is a supporting role, it is very popular. During the behind-the-scenes interview, several leading actors were asked: "Besides your own role, who do you most want to play in this drama?" The answer was surprisingly consistent, it was Wang Bolin. This character is very three-dimensional. He is smooth-talking when he is treacherous, but he does not show his authority when he is ruthless. is not easy to act, but Liu Yijun did a good job. 's every gesture, every look, and even subconscious movements, portrays Wang Bolin as a cunning old fox, which is difficult to control without a certain amount of skill. In fact, Liu Yijun was already out of the industry as early as the period of " Pretender ". He is Wang Tianfeng in "The Pretender", and he is also Xie Yu in "Nirvana in Fire". is still Pei Ze in "He's Coming, Please Close Your Eyes", Zhang Wanlin in "Great Expectations"... is also a villain. Under his interpretation, everyone has his own characteristics, and the characters are not the same at all. For veteran actors represented by Wang Jinsong, Wu Gang, and Liu Yijun, acting skills have become their calling card. It is precisely because of the recognition of their acting skills that "symbolic actors" gradually became a symbol, a type, and a fixed label in Chinese dramas. Sometimes, their appearance represents the content of the drama's old drama, and may also reflect the quality of the drama to a certain extent. But it's not all good. Why do you say this? Wuyuan Culture co-founder Ma Li Lingshan once put forward a point: The drama industry’s pursuit of traffic stars is similar to the pursuit of big IPs, both for “ control variables ”. To put it mildly, another word would be: Reduce risks Because no matter what, film and television dramas are still commercial products, and investors need to consider costs and benefits. So when making TV series and selecting actors, they are not sure what kind of profit the series will ultimately bring, so they will be more inclined to choose actors with traffic and popularity. is also easy to understand when it comes to the type of drama. If a subject is popular, it means that it has an audience. In order to realize profits faster, taking pictures is the fastest way. For example, the female-themed drama series has been very popular in the past two years. uses social news to capture some of the current pain points, and then amplifies these pain points to resonate with the audience. Look, the popularity is coming. So in the past two years, there have been a lot of female-themed dramas, and everyone wants to get a piece of the pie. But there are really not many that can achieve both good reputation and popularity. Similarly, after the theme of sister-brother love becomes popular, it can be used again. Take Qin Lan who is well-known in the field of sister-brother romance as an example. Because of the drama " The Reasonable Life ", she and Wang Hedi gave the impression of "Dog Sister Love". After , she has many works with similar themes. So much so that this year, when she aired another sister-brother love story, the audience did not react for a moment: Is this a revival of an old drama or the launch of a new drama? Qin Lan seems to be stereotyped. There are more dramas with the same theme, and naturally, there are more and more stereotyped actors. Jin Dong, who was once regarded as one of the lucky stars of domestic dramas, also fell into the vicious circle of "copy and paste". Whether active or passive, his "elite" persona has indeed been with him for a long time. Just as netizens commented: "Jin Dong feels that everything he plays is the same. His modern dramas always stick to the same elite character." "The essence of this drama is Su can be said to be suitable for any of Jin Dong's works after 2015. " " I have only played one role in ten years, but I am still convinced. " At the end, when the audience sees Jin Dong in suits and ties, they will inexplicably feel a kind of "elite PTSD". In the drama involved, the audience even concluded the "law of villains". "Liu Yijun, Wang Jinsong, Zhang Zhijian must have a "ghost"." "When there is Liu Yijun , Wang Jinsong is a policeman; without Liu Yijun, Wang Jinsong is a drug lord." 1,
The emergence of "symbol actors" shows that the spring of old actors is coming.
However, it is not all a good thing.
2,
In fact, the emergence of "symbol actors" is a way for domestic dramas to be lazy
According to incomplete statistics, in recent years, Liu Yijun has appeared in as many as 9 dramas involving crimes, including 6 as the villain.
Ning Li, a classic villain well-known to the public through "Undocumented Crime",
also participated in 8 dramas involved in the case, including 6 as the villain.
Also surprising in terms of quantity are , Zhang Xilin, and Wang Jinsong, both of which are five.
As a frequent guest in dramas involving crimes, because the themes are too similar, it is inevitable that the roles he gets will be repeated.
It is no wonder that netizens have such regular summary.
But many times, this is not an active choice by the actor, but is forced to accept market demand.
In the past few years, domestic dramas have developed a skill of their own, which is "batch copying" .
In addition to looking for popular themes to copy, he is also lazy when it comes to actor selection.
Find an actor who is familiar with the "setting" to play the role, and you can define the character of the drama in one go, which can save a lot of trouble.
In the words of the "boss", it means controlling variables, reducing variables, and reducing risks.
But for creative actors and directors, this is limiting.
For the audience, controlling variables means patterning and routines. Where are the surprises if the variables are gone?
Therefore, this is definitely not a good thing for the film and television industry.
3,
Fortunately, in 2022, the trend in the entertainment industry has changed, and there are fewer and fewer "symbol actors".
2022 is a good year for domestic dramas.
What highlights this statement most is obviously the diversity of types.
Naturally, there are more outstanding supporting roles in Chinese dramas this year.
html In the high-concept hit "The Beginning" at the beginning of 2019, "Guo Aunt" Tao Yinghong's performance was very surprising.
Whether you have watched this show or not, you must have seen the relevant clips of "Auntie Pot".
In the first few episodes, she had almost no lines, but the way she looked directly at the camera was full of oppression, enough to make people shudder.
And because of the "infinite flow" plot setting, she vividly interprets the three words "eyes killing" in the repeated explosion cycle.
Anyone who has followed the show will be frightened.
What’s more, “Auntie Guo” was listed as one of the “shadows of adulthood”.
The sequelae is that she never dares to look directly at the pressure cooker or the aunt in gray again.
The actor who plays "Auntie Guo" is Liu Dan from Nortel 90 Acting Class.
She was classmates with Huang Lei and Jiang Wu. After graduation, she was recruited by China National Theater and spent most of her time on the stage.
has been in the industry for 30 years and has only participated in 33 works. Her appearance rate is not high, but her acting skills speak for her.
"Little Mo's Mom" in "Children of the Qiao Family", "Mr. Zhu" in "Love is Delicious", "Head Teacher" in "The Future of Summer", and the cleaning aunt in "Skyscraper" are all masterpieces of her acting skills.
There is also the absolute powerful Wang Xiao who has made a strong presence this year.
Wang Xiao has been very productive this year. From the beginning of the year to the end of the year, he has appeared in various types of dramas.
He partnered with Li Xiaoran in "我有你", and played the role of a fake husband very realistically.
Turning back to " Our Marriage ", he can also play an elite who is complained about by his colleagues as "straight male cancer".
In "The Wind Rises in Longxi", although he was offline after 6 episodes, he was very impressive.
Not to mention, in " Basic Law of Genius ", " Grand Examination " and " County Party Committee Courtyard ", he also has roles with a wide range of roles, but with a high degree of completion.
What also surprised us was Li Naiwen . As a recognized golden supporting role, his role span this year is also very wide.
In the just-concluded suspense drama "The Returned Daughter", with a big back and small sunglasses, he acted like a nouveau riche boss in the late 1990s.
There are also Tang Zeng, Wang Jingchun who has an outstanding performance in " Happy to Ten Thousands of ", Wang Jingchun in "Police Honor", and Gong Lei who is known as the eye-catcher in "The Long River of the World".
In the new year's drama "Human World", a bunch of old actors were mass-produced.
Have you noticed that there are more outstanding supporting roles in Chinese dramas this year, and they are no longer the old acquaintances from previous years.
Obviously, the "symbol actors" are beginning to withdraw.
Of course, this is not to say that "symbol actors" are bad.
On the contrary, this shows that domestic dramas have made a qualitative leap in both genre and script creation.
Because there are more scripts and more types, they have more choices.
instead of being framed in a type of role.
At the same time, this also sends another signal that domestic drama screenwriters are willing to spend time polishing their characters.
In this year’s Chinese dramas, there are fewer lazy “type characters”.
Whether it is the protagonist or the supporting role, they will all have their own charactersarclight.
As a result, there will naturally be fewer "symbol actors".
Qingshi said, is indeed something to be happy about when it comes to domestic dramas.
Also this year, we can clearly see that many "XX professional households" veteran actors have begun to make more attempts.
Let’s take Wang Jinsong as an example. He has been very productive this year.
He is the strategist in "山河月明" Liu Bowen;
is also a university professor in " Standing on the Railing, a Storm ";
here breaks the stereotype in " Ice Rain Fire " and plays the role of Director Lin Dezan who tolerates justice.
Turning to "Wind Blowing Pinellia ", he is Xu Youren, the scumbag father who exploits his daughter.
and the aforementioned Liu Yijun, who is labeled a "professional villain", , there are also many different roles presented this year.
Although most of his roles are in dramas involving criminal cases, each of Liu Yijun's roles is a little different.
For example, in the hit "The Beginning" at the beginning of the year, he played Zhang Cheng, the deputy captain of criminal investigation of the Public Security Bureau, who was completely different from the previous "villain".
He is very persistent in the truth. Through interrogating the survivors again and again, he finally found out the truth about the bus bombing.
Going forward, in " Anti-Crime Storm ", the task force leader He Yong played by him is also unfathomable.
looks hard to distinguish between black and white, but in fact he dares to fight against the evil forces and the protective umbrella behind them...
even played the cheerful and depressed Lin Hongnian in "The Summer of Zhang Weiguo", completing the reconstruction of the screen image.
After that, in " Dashan's Daughter", he can also play the role of a leader in a poor area in a down-to-earth manner.
Qin Hao After becoming famous with Zhang Dongsheng in "The Hidden Corner", he did not limit himself to the chilling "reversal character".
In this year's highly acclaimed reality drama "Dear Child", he played a hypocritical and sincere man.
Once this role came out, Qin Hao had another representative role in his acting career.
The transformation of veteran drama stars is also reflected in the highly acclaimed Zhang Zhijian who starred in the hit drama " In the Name of the People".
has appeared in " Ace Unit " and " Falling in Love with Special Forces ", and the roles are very different.
And these are all domestic dramas that make it clear to us:
Reject empty assembly line products, and go the route of high-quality national dramas.
4,
Only by ruthlessly rejecting "symbol actors" can Chinese TV dramas truly save themselves.
If domestic dramas want to find a high-quality path, actors themselves must take the initiative to seek change.
More importantly, there must be an environment in Chinese dramas so that they can change and be able to change.
The "gold-plated" effect of the old drama can not make up for the shortcomings of the play.
After all, the old drama’s signature is no longer a panacea.
On the contrary, it may also consume the "experience value" of the veteran actor himself.
This year’s national dramas are exactly showing us their efforts in broadening the breadth and depth of national dramas.
gives the most intuitive example.
This year's dark horse drama "Tang Dynasty Strange Records" is remarkable not only in character creation, plot logic, and real-life shooting.
also put a lot of effort into the supporting roles.
This drama is in the form of a unit drama, with more than 150 named characters alone.
No matter how small the character is, he has his own characteristics that can be remembered by the audience.
The characters are all outstanding. If the actors work harder, getting out of the drama will be the only outcome of this drama.
Of course, the transformation of Chinese dramas did not happen overnight.
Moreover, if a Chinese drama wants to make a qualitative leap from the inside out, it requires the cooperation of multiple links.
Domestic dramas need good actors, good scripts and a good environment.
Let’s wait and see whether Chinese TV dramas can have a better change in the next year.
Qingshi Movie | Lao Meng
This article is the original content of Qingshi Movie. Please do not reproduce it in any form without authorization
The transformation of veteran drama stars is also reflected in the highly acclaimed Zhang Zhijian who starred in the hit drama " In the Name of the People".
has appeared in " Ace Unit " and " Falling in Love with Special Forces ", and the roles are very different.
And these are all domestic dramas that make it clear to us:
Reject empty assembly line products, and go the route of high-quality national dramas.
4,
Only by ruthlessly rejecting "symbol actors" can Chinese TV dramas truly save themselves.
If domestic dramas want to find a high-quality path, actors themselves must take the initiative to seek change.
More importantly, there must be an environment in Chinese dramas so that they can change and be able to change.
The "gold-plated" effect of the old drama can not make up for the shortcomings of the play.
After all, the old drama’s signature is no longer a panacea.
On the contrary, it may also consume the "experience value" of the veteran actor himself.
This year’s national dramas are exactly showing us their efforts in broadening the breadth and depth of national dramas.
gives the most intuitive example.
This year's dark horse drama "Tang Dynasty Strange Records" is remarkable not only in character creation, plot logic, and real-life shooting.
also put a lot of effort into the supporting roles.
This drama is in the form of a unit drama, with more than 150 named characters alone.
No matter how small the character is, he has his own characteristics that can be remembered by the audience.
The characters are all outstanding. If the actors work harder, getting out of the drama will be the only outcome of this drama.
Of course, the transformation of Chinese dramas did not happen overnight.
Moreover, if a Chinese drama wants to make a qualitative leap from the inside out, it requires the cooperation of multiple links.
Domestic dramas need good actors, good scripts and a good environment.
Let’s wait and see whether Chinese TV dramas can have a better change in the next year.
Qingshi Movie | Lao Meng
This article is the original content of Qingshi Movie. Please do not reproduce it in any form without authorization
