was postponed from 2021 to 2022 Labor Day and then changed to Mid-Autumn Festival. The movie "Hello, Brother " has finally been released. There are generally two situations when
is changed, and it is unfinished and guilty. Obviously, "Hello Brother" belongs to the latter. First of all, this movie was not made by Happy Twist , it just used a few Happy Twist actors.
Finally got the popularity, and the reputation made Happy Twist bear the blame. This is a bit of a sucker. Although the production level of Happy Twist has dropped a lot in recent years, it seems that they are the only ones that support it in the comedy industry.
Returning to this movie, even if it finally won a box office of 546 million, it cannot be attributed to the quality of the movie, and it can be regarded as a foil for peers. Because I chose one of the many bad movies, "Hello Brother" is a good bad movie.
time-travel theme comedy movies already include " Charlotte Troubles " and " Hello Li Huanying ". "Hello Brother" did not take a different approach, but instead combined these two movies, resulting in many places like "Charlotte Troubles" and "Hello Li Huanying".
For example, when Xiao Wu first traveled to the place where his parents met, he ran to the main road, which looked like "Charlotte's Troubles", and the scene where Lu Chunli stood among the workers, and it was like "Hello Li Huanying".
I don’t know which one was filmed first in "Hello Li Huanying" or "Hello Brother", but I know who was filmed first, which caused the nostalgic scene layout in the later film to lose its appeal.
goes through clichés, but fortunately it’s just a framework, so you have to use snacks on the story. "Hello Brother" is just the opposite. The comedy elements are not well done, and the relationship is too stiff, and the actors and characters are in a state of derailment, which is messy.
Lu Chunli, played by Ma Li, and Wu Hongqi, played by Wei Xiang, played by , are husband and wife, but I don’t have a trace of the couple’s emotional resonance from beginning to end.
In addition to the actors lacking awareness of character creation, what is more serious is that the story is swaying in funny and sensational, resulting in neither being funny nor sensational.
Xiao Wu disrupted the encounter between Lu Chunli and Wu Hongqi because of an unexpected time travel. In order to make up for it, he could only return to match them. This is the main line of the story.
During the process of rebate, you must gradually understand the reasons for the death of your mother and the reasons for the father's hatred of you, resolve the conflicts with your father, and re-understand the meaning of family. The story structure of
is very average and has no highlights. Moreover, there are many parts in the film that are logically unreliable.
For example, why did Wu Hongqi fall into the river for no reason? Also, Xiao Wu made a big fuss in the hospital and even ignored his already unconscious father. Isn’t anyone caring about it? What is the significance of the role of Jia Bing? It is to forcefully break up Wu Hongqi's love with other women, so as to achieve Lu Chunli?
Xiao Wu traveled for the second time and met Lu Chunli in the men's bathroom. Both of them didn't know each other, so they actually let Xiao Wu act as her boyfriend. Isn't this a bit too nonsense?
There is also the emotional experience between Lu Chunli and Wu Hongqi. I have not seen sharing weal and woe, nor have I seen the passion, nor have I felt the determination to support each other.
The most important thing is, what era is this? You still play the trick of protecting the big and the small. Don’t you think it’s bloody? Even if there was indeed such a thought at that time, what is the meaning of shooting it?
Lu Chunli exchanged his life for Xiao Wu. Wu Hongqi was actually stranger to his son Xiao Wu because of his wife's death. Is this arrangement reasonable? Is it just for the sake of contradictions?
In short, the father is not like the father, the mother is not like the mother, the son is not like the son, the husband and wife are not like the husband and wife, and the father and son are not like the father and son. The key point is that the actors' performances are also very stiff.
Chang Yuan everything he plays the same way. I feel that being a supporting role is okay, but being the protagonist can't hold on. Wei Xiang is okay to be funny, but sometimes it is too much to completely integrate into the role. As for Ma Li, it is just right.
Mid-Autumn Festival, "Hello Brother" has a sudden box office, but its reputation is only 5.1 points. To be honest, even if you watch it three times the speed, you won't miss any details, because there is no details at all.
At that time, there was no movie theater to watch because of temporary trouble. Now, after watching it online, I suddenly realized that I hadn't gone to the cinema to watch it. With this money, it would be better to have a barbecue. After all, you don't have to suffer.
All comedy filmmakers really have to learn from the previous Stephen Chow to understand what the real meaning of comedy is? Or take a look at Chen Peisi's sketches to understand what comedy should reflect and reflect?
