From the beginning of 2022 to now, many Chinese dramas have been broadcast, with dramas of various themes and fields. The competition is very fierce, but the only popular ones are "The Beginning", "In the World" and " "Meng Hua Lu" three volumes. Liu Yifei's blockbuster hit "Meng

From the beginning of 2022 to now, many Chinese dramas have been broadcast, with dramas of various themes and fields. The competition can be said to be very fierce, but the only hits are "The Beginning" and "人世" "and " Menghualu " three volumes.

And Liu Yifei 's hit hit "Meng Hualu", which returned to the field of TV dramas, has just been screened online for its finale, Zhao Liying's rural-themed reality-oriented drama " Happy to Ten Thousand Houses " is here.

only aired 2 episodes and its ratings exploded. The real-time ratings peaked at the top of satellite TV in the same time period. The popularity of

also quickly reached the top of the entire network. It successfully launched the first shot of July, and also opened up the rural reality theme. Ceiling, there is a trend of big hits.

Speaking of "Happiness to Ten Thousand Houses", in fact, this drama has been attracting attention since its establishment.

In addition to being adapted from the novel "The Legend of Qiu Ju", Zheng Xiaolong director, Zhao Dongling screenwriter, Cao Ping served as the producer and Zhao Liying starred in this super team is also attracting attention.

Director Zheng Xiaolong is a certified "godfather of TV dramas".

From the early "Four Generations Under One Roof", "Year After Year", " Never Give Up ", to "Desire", "The Story of the Editorial Department ", " Criminal Police Mission " and " Golden Wedding ", and then in recent years, "The Legend of Zhen Huan ", "Red Sorghum", " Mi Yue ", " Meritorious Service " and other highly popular dramas. His strength is obvious to all. He has served four times Winning the Magnolia Award for Best Director + Golden Eagle Award and Feitian Award each won the director award once. It can be said to be an insurmountable mountain in the field of Chinese TV dramas.

Zhao Dongling is the screenwriter. From her early years of "Passionate Defense" and " Walking to School " to recent "Red Sorghum", " Anju " and the recent "Police Honor", they are all her representative works. She is particularly good at telling " The story of "little people in a big era" has won the Feitian Award and the Magnolia Award successively. He is a veteran screenwriter.

Cao Ping serves as the producer. From the early "Happiness is Like a Flower" and "Golden Wedding" to "The Legend of Zhen Huan" and "The Meritorious Service", Cao Ping was the producer, and he and Director Zheng are also old partners.

It can be seen that "Happiness to Ten Thousand Houses" has laid a solid foundation from the three decisive aspects of director, producer and screenwriter.

Zhao Liying, who plays the leading role as the heroine, is also recognized as a powerful actor in recent years. Her representative works include " Legend of Lu Zhen ", " Shanshan is coming ", " Do you know ", " The Legend of Chu Qiao" " and "花千 Bone", etc., and is also a veritable "new generation viewership queen".

Of course, this drama is not the first time Zhao Liying has collaborated with director Zheng Xiaolong, but the second time.

The first collaboration between the two was 15 years ago in "Golden Wedding". Zhao Liying played the role of Wen Li's most disliked daughter Duoduo in the play. She had very few roles and was a bit player with few lines.

This was also Zhao Liying's first film since her debut. At that time, she was ridiculed for her ugly image when she first entered the entertainment industry. She didn't know how to act. She was so nervous that she couldn't speak her lines during the first filming.

And now, after 15 years of cooperation, Zhao Liying has transformed herself with her acting skills and works, and has become an indispensable heroine of "Happiness to Ten Thousands of Homes". Her own inspirational experience is as exciting as a movie. It is really Too ambitious.

Although "Happiness to Ten Thousand Family" is adapted from "The Legend of Qiu Ju" and retains some of the original plot, it still makes appropriate adaptations. The screenwriter also closely follows hot topics and extends the topic. The former Qiu Ju has become today's He Xingfu. The background of the story is no longer the same. It mainly tells the story of He Xingfu's continuous growth under the multiple tests of career and marriage, love and family affection.

The series opens with He Xingfu, played by Zhao Liying, marrying to Wanjiazhuang, which leads to the subsequent story.

married Wang Qinglai, an ordinary-looking man who looked very honest.

Why Happiness prepared a grand rural wedding combining Chinese and Western styles.

Thousands of villagers from Jiazhuang came to attend the wedding. A banquet was held in the noisy scene, the guests were full, and the cheers continued. How attentive the crew of

is, you can tell by looking at the layout of the banquet scene, which is completely based on the settings of a real rural wedding.

has been working with the land for a long time, and almost all the villagers are stained with earthy smell. The Taoism in the play is very realistic.

Looking at the lighting and the old house, I thought Xiao Yinzi had returned to his hometown.

The whole scene is shot like flowing water, the low tables and benches are lively and lively, and the atmosphere of a rural wedding is strong, making people dream of going back to the wedding banquet scene in the village for a second.

He Xingfu's marriage to Wanjiazhuang was originally a great joy.

Unexpectedly, at the wedding scene, Wan Chuanjia, the son of the village party secretary Wan Shantang, and several young men from Tongzhuang, staged a vulgar wedding drama.

He Xingfu's younger sister, He Xingxing, served as a bridesmaid to send her sister off to get married. Unexpectedly, she would be humiliated by a "marriage trouble" at the wedding.

was not only forced to drink, but also brought into the house by these men to do evil things.

The photographer on the side was still taking pictures as if nothing was wrong, which made people suffocate.

This has also aroused heated discussions among many netizens. Some people said that this filming was a bit ruinous, but they did not know that marriage troubles are common in many places in real life, such as the "Taian Bridesmaid" incident.

In fact, it is not so much a marriage quarrel as it is some people with bad intentions doing dirty things in the name of celebration.

Some people are not surprised by this, or even take it for granted, but this is wrong. What is even more annoying is that many people are used to the theory of victim guilt.

This drama is the first one that dares to present it directly in a film or television drama.

Let’s just say that Liu Yan was made trouble by the best men at the wedding of Bao Wenjing and Bao Beier . I believe everyone knows about it.

When this incident came out, public opinion was in an uproar.

But I have never understood Xiao Yinzi before. It was obviously the groomsmen who wanted to throw the bridesmaid into the water, but Liu Yan did not ask them to throw it. Why did the bride and groom and the groomsmen call her a hype? And she was not the one who took the video. Why does it mean that the person who pushed someone into the water complained about the person who was pushed into the water?

Even because of this incident, Liu Yan's career fell to the bottom. The reality is really magical.

So much so that Liu Yan swore in front of the camera:

If I borrowed someone else’s wedding to hype up this matter, I would die badly.

It can be said that rational people have been disgusted with the bad habit of marriage for a long time.

"Happiness to Ten Thousand Houses" dares to show the ugly face of "marriage trouble", and is full of concern and goodwill towards reality.

Fortunately, He Xingfu realized something was wrong, kicked the door open, rushed into the room, picked up the bench, and gave Wan Chuanjia a gourd.

Seeing He Xingfu is like seeing the modern version of Minglan . You can resist for the people you care about the most.

But she is different from Minglan's clumsy attitude. She seeks the word "reason" in everything for happiness. She is hard-working and brave, upright and tenacious, and dares to fight. She dares to take action directly in the face of bad habits and customs, causing the village party secretary's son to suffer, and does not hesitate to offend the village. The party secretary also made her husband's family, who was accustomed to the bad habits of marriage, couldn't help but fall out.

But because the wretched man was the son of the village party secretary, Xingfu obviously did the right thing. Not only did the villagers not sympathize with the Wang family, but they talked behind their backs.

Although she had just gotten married, Xingfu was unwilling to suffer the disadvantage of being dumb. She had to ask for an explanation, but she also became a thorn in the eyes of her husband's family and a powerful figure that everyone in Wanjia Village feared.

After watching the first two episodes, I feel that this drama does not vilify or beautify the countryside, but rather looks at the real rural scenery.

The drama dramatic conflict is natural, the actors are real, the rural group portraits are solid, the theme is sharp and profound, and the filming is very close to the ground without being suspended, and it naturally enters the hearts of the audience.

plays the role of a rural girl again after 15 years. The first scene is the wedding scene. Zhao Liying, who is dressed in a bright red wedding dress, is no longer addicted to 85 flower filters, no more pale TV beauty, no more exaggerated makeup that makes her pores invisible. The production, realistic shots and makeup clearly tell the audience that this is He Xingfu, a rural girl who is about to get married, and not the dazzling star Zhao Liying.

In the play, she is proficient in cutting vegetables, cooking, doing farm work, and moving goods. She is full of the diligence, courage, integrity and tenacity of traditional women, but she also has the fortitude and sobriety of women in the new era.

Except for the wedding scene where the makeup was slightly thicker, Zhao Liying’s makeup in other scenes was very light. There was no beautification or microdermabrasion. We can fully see the true state of her skin.

In the picture, you can clearly see Zhao Liying’s big eye bags, the ridges on the side of her nose, the nasolabial folds when she smiles, and her slightly frizzy ponytail. It is not perfect, but it is precisely because of these that the character is more vivid and closer to reality. Life.

Although this drama is adapted from "The Legend of Qiu Ju", Gong Li that drama was set in 1992. Zhao Liying's drama is set in the new countryside, so the clothes she wears in the drama do not look like the Chinese rural areas of the last century. Women are equally "ragged" but have a somewhat earthy sense of fashion.

's simple and generous submission and acting skills made the audience deeply feel the perseverance and stubbornness of this character, and at the same time, they also surrendered to Zhao Liying's appearance.

She gave the character a soul with her own charm, vividly interpreting a rural girl who "accepts death", and also demonstrated the unique beauty of Chinese women's stubbornness like grass and resoluteness like a big tree, making people fall in love with the characters in the play. Empathy for the experience.

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