On November 22, Golden Rooster and Hundred Flowers finally ushered in the most eye-catching forum event. Three directors Chen Kexin, Xu Zheng and Chen Sicheng gathered to discuss the era of "new commercial blockbusters" in Chinese films. These three directors are also the directors of the three heavyweight films "Chinese Women's Volleyball", "囧Mom" and "Chinatown Detective 3" in the upcoming Spring Festival file. The three expressed their views on Chinese commercial blockbusters and competed against the Spring Festival file. The view, and solemnly promised "Never hack each other, never vicious competition"
on the same day, the Golden Rooster Venture Capital Conference was also held in the same hotel. This is the first Golden Rooster Film Venture Capital Conference. The top 30 projects will be displayed on stage one by one. Filmmakers such as Zhang Yibai, Li Shaohong, and Yu Dong are judges. It seems that people can see the prosperity of the film industry in the next few years.
is getting closer and closer to the closing ceremony of the Golden Rooster Awards. The director of the closing ceremony of this year has revealed that Ge You, Dongyu Zhou, Wei Ting Chen, Li Yifeng and others will appear on stage at the closing ceremony. The three major directors of
Spring Festival stalls gathered to agree that "Never malicious competition."
The activities of the "New Commercial Blockbuster" forum on that day did not start until after nine o'clock in the evening, and then the scene was packed. Both the media and practitioners wanted to watch the Spring Festival stalls. A scene where the directors of three blockbuster films discuss the sword on the same stage. The three of
must be the first to promote their upcoming movies. Chen Kexin said that the Chinese women’s volleyball team has surpassed the story of sports, but the interaction between the whole people and sports, and it means that all Chinese people are in line with international standards; Xu Zheng said that he did not want to put it in the beginning. The film was named "囧", but after doing a survey, most viewers still prefer it to be called "囧", but this is not the correct text. After watching the movie, you will find that this is still a embarrassing way. I hope the audience will go back and hug their mother after watching "Tang Ma"; Chen Sicheng, who no longer personally directs the "Tang Detective" series after the "Tang Detective 3" series, hopes that the Tang Detective series has the same industry as the Marvel Universe With the characteristics of chemistry, I can expand more extensions, and I will also be the producer and screenwriter of the "Tang Detective" web drama in the future. The three of
caught up with different eras of Chinese commercial blockbusters. Chen Kexin has been filming in the mainland for 15 years and has witnessed the changes in the film industry. He said, "In the years after "Hero", no one invested in films with a cost of less than 10 million yuan. Only with an investment of more than 100 million yuan can investors be interested. Therefore, there was no way out for young directors at that time. For celebrity movies, the audience can only watch the spectacles on the screen. In order to survive in the industry, I could only make blockbuster films with a little personal expression in them. But since the success of "Tai囧", it changed. Chinese audiences have been changing. "I am not a medicine god" and "Lao Paoer" are non-commercial mainstream movies, even almost literary films, but the box office is very mainstream. This will not happen in the world. Because the Chinese audience is very powerful, this is also The reason why I still want to continue doing it at my age. "Z2z
Xu Zheng also expressed that the Chinese audience is growing too fast. "Unexpectedly, everyone can quickly get what the creator wants to express. We began to think that the result of "The God of Medicine", To reach the level of "Old Paoer", I did not expect such a box office in the end. Chinese audiences are very receptive to new content. This puts new requirements on creators, the content itself should be valuable, not the so-called commercial blockbusters of the past It’s just for entertainment. “Chen Sicheng feels that Chinese audiences are different from European and American audiences. They have been watching movies from all over the world for many years, so they are very professional audiences.
is different from Chen Sicheng. Both Chen Kexin and Xu Zheng sent their works to the Spring Festival stalls for the first time. Chen Kexin even expressed his concerns. “There are many movies that should have sold more at the box office, but they weren’t very good at this time. This is very gambling"; Chen Sicheng said, "The Spring Festival stalls are like a VIP block in a casino."
However, several directors expressed their appreciation of each other’s work and encouraged each other. Chen Kexin revealed on the spot that he was still editing "Chinese Women's Volleyball" because the team stated that the Spring Festival movie cannot be as long as 150 minutes. Xu Zheng said Sacrifice your own creative expression. The three directors promised on the spot that they would never compete maliciously, and that they would not engage in "mutual hacking", and that everyone would do a big deal together. The atmosphere of the forum is full of joy. The melee of several blockbuster films during the Spring Festival is pressure for creators, but it is really a feast for the audience. The
Venture Capital Conference discovers the future of the film Lei Jia’s proposal "Fragrant Pastry"
Golden Rooster Film Venture Capital Conference·The ultimate road show is composed of three famous director Zhang Yibai, famous director Li Shaohong, and Chairman and President of Bona Pictures Group Co., Ltd. Yu Dong Filmmaker as a livingThe activist review panel consists of 21 famous producers, including Wang Hongwei, Wang Yibing, Zhu Wenjiu, Xu Zhiyong, Du Yang, etc. The producer jury will comment on the roadshow project’s creative conception, structure setting, and character creation on site And scoring.
However, the proposals present also reflect some of the mentality of current film practitioners. For example, in the first five venture capital projects, three of them have Lei Jiayin as the main role; the guide's own reference projects are "Unreachable" and " "Green Book", and some people want to remake the local version of "Stars on Earth"; some projects focus on mother-daughter relationship, family relationship... Whether it is the preference for actors or the subject matter, the current young creators still have some Chasing the hot spots in the market, chasing the stories that have been filmed successfully.
However, for the Golden Rooster and Hundred Flowers Film Festival, the addition of such a link as the venture capital conference is also an opportunity for young creators to show their works and get guidance. I don't know which winners will be selected for the first Golden Rooster Venture Capital.
comes from the media number of Taopiaopiao: Taopiaopiao editorial department
