Before the arrival of the new media era, a set of CCTV’s golden files and commercials played in the middle were sold at a price of tens of millions.
With the impact of new media and mobile Internet, the traditional media is declining more and more, but I did not expect the wheel of history to turn a circle.
The reputation of traditional media "television" is getting better and better.
produced by CCTV, that is, the quality of the film is guaranteed, and the word of mouth is guaranteed.
People miss the age when gods fight. In 2021, people are waiting for a glorious year for the masterpiece of "Fighting with Gods".
this year’s " Mountain Sea Love", " Awakening Age", " Battle " and "Merciences" are all good movies, and will have an average monthly film and television masterpiece circle this year The main melody works are of high quality and reputation.
The main melody film finally got rid of the faults of the traditional main melody "speaking routines". It is precisely because of this that today's young people are the biggest viewers and the biggest supporters of the main melody works.
The main melody is finally coming out.
And just before the end of the year, another work appeared in the main theme of domestic production, which participated in the "Fight of Gods" competition.
is different from other "fairies" in that this play was arranged in the prime time of CCTV.
Every day after the end of "News Network", it is the prime time of 8 pm, and the headline watermelon video is also broadcast.
It received a lot of praise as soon as it appeared.
has history, characters, details, and interesting. The big, small, good, and bad guys are all plump and three-dimensional... Good-looking
Great drama! Popularize science with the efforts of a generation, let the new generation drink water to think about the source, continue to work hard, and continue to struggle. We have made mistakes. We will have to cross the river by feeling the stones and take detours. We also have the courage to admit our mistakes. No one knows what the future holds. The actors in the play are super close to their faces and can enter the play.
I saw this kind of drama before and turned around, but now I find it's OK. The historical drama has its unique charm. The performance rate of
is nothing to say. There was a milestone on the day of the screening, and the attention score broke 1. In the prime time of all channels across the country, it took the first place 10 times and the ratings exceeded 1.68%.
CCTV drama in prime time at the same time, CCTV ranking for 4 consecutive days, CCTV ranking for 3 consecutive days, full channel ranking for 4 consecutive days, full channel ranking for 3 consecutive days, full channel for a week, CCTV ranking for a single week.
It is the number one, won a total of 8 different kinds of ratings, this TV series can be said to be really soft.
Regardless of the data or the theme, this CCTV set of golden files really rubs traffic on the ground.
This is not for sale. The highlight moments mentioned above are all from historical dramas with major revolutionary themes. —— " ".
From the beginning of the production team, the lower limit of the reputation of the drama is guaranteed.
is directed by Battelle , the national first-level director , as early as 1993 when he first filmed, he won the " Five One Project Award " from the Central Propaganda Department of .
's "Workshop Director" in 1997 was also made by him. This drama also won the first prize of "Flying Award" feature drama, and the 15th "China TV Golden Eagle Award" feature drama award .
In 2002, " ", which won the 16th National TV Series "Flying Award" for outstanding directors, is also the production of Battelle.
screenwriter Sheng Heyu is brilliant. He is the highest award of Chinese drama literature " Cao Yu Drama Literature Award ", The 26th Chinese TV Drama Feitian Award Excellent Screenplay Award, and the winner of the Wenhua Drama Award of the Ministry of Culture.
1997 version of " Han Wudi ",It was from him.
In 2003, the central drama " Towards the Republic " that set a historic record was also written by him. In 2006, Feng Xiaogang 's " Night Banquet " was also a co-writer with Qiu Gangjian and .
's 2007 " " is also him. His literary skills and high-level pursuits are numbered.
The actors have invited Wang Wufu and Guo Lianwen These powerful actors, the old special actor is still the chairman of span30span.
Although there are many passages in the script, Mr. Tang Guoqiang has acted, but this is still a big peach stop for Mr. Tang Guoqiang.
Because " Xiangshan Ye Zhenghong 's script is more vivid and grounded than other TV series of this period.
In terms of characterization, the chairman of this version is life-oriented and normalized. For example, in terms of physical actions, he may sometimes sit on the floor.
has a railing next to it.He may be leaning on the railing, and sometimes sitting on the table, without the restraint of sitting rightly.
Teacher Tang Guoqiang, in order to perform this play well, he densely marked the revisions and points of note on the script.
Although he is already familiar with some passages that he can recite lines with his eyes closed, each time is a new challenge, and the script is full of words.
Director Battelle also praised: An actor can research and restore the character to this degree, which is very admirable.
The director, screenwriter, and actors are in place. This " Xiangshan Ye Zhenghong " has the lower limit, word of mouth and quality. But how far you can go depends on how you shoot and how you tell the story.
The story focuses on after the peaceful liberation of Peking in 1949. Chairman Mao led the Central Committee of the Communist Party of China to settle in Xiangshan from Xibaipo . The story of liberating the whole of China, preparing for the establishment of a new China, and building a new China with four pillars and eight pillars.
The history books have written this story clearly and plainly: "Xiyuan Military Parade", "The Central Committee of the Communist Party of China Stationed in Xiangshan" "KMT Peace Talks", Crossing the River Campaign, shelling " Amethyst ", Founding Ceremony etc...
But it’s still very difficult to shoot.The difficulty is how to make the audience resonate with history, how to make the audience feel the spiritual transmission in the big event, and how to make the audience consciously become a torchbearer.
The most taboo of the red theme is to preach. Don’t speak big words. Be as objective as possible and reflect history as true as possible.
However, many directors ignore the "creation" in the choice of "real". The history books contain heavy records.
The film cannot only write the stories of the top leaders and not the common people. Major revolutionary historical works should not be high and low.
Under heavy pressure, the director of " Xiangshan Ye Zhenghong ", Battelle, successfully handed over a satisfactory answer to other film and television dramas.
It has created several little characters in "Xiangshan Ye Zhenghong". The stories of these little characters can always arouse people's resonance and love.
First, the grounded Liu Eryong
For example, the shaping of the guard Liu Eryong.
He is the representative of plump little people.
Liu Eryong takes his work very seriously. He stands guard at the door, and he often interrogates everyone carefully to guard the safety of the chairman.
But sometimes Liu Eryong is very skinny. He knows that the chairman often works at the desk for a long time, and sometimes he does not eat or drink. He is afraid that the chairman will be exhausted and he wants to "lead out" the chairman.
This method is also very simple. Call the two children of the Chief Guard to come over and sing and dance outside.Let the young guests attract the chairman, have fun and relax with the children.
2. Jiang Laiyang who dares to criticize
For example, Jiang Laiyang, the grassroots commander of the People's Liberation Army who is very important in the third episode. He is a member of the front-line combat force, it is sent to the front line to kill the enemy, the audience is through him to peep the whole picture of the army.
He is not a stubborn martial artist, but he is full of wisdom, introspection and awareness in this character. After the troops took to Beiping, Jiang Laiyang quickly recognized the problem of style in the team.
Jiang Laiyang, the "extravagant style" in the regiment, criticized and criticized some of the "bad styles" of the soldiers under his opponents.
The whole setting is very difficult to find in major historical dramas, because most historical dramas describe the army in the mud.
But the drama does not create gods. It also portrays the brave and fearless warriors into ordinary people, individuals with desires, but the important thing is that while the desires are displayed, it also emphasizes the warriors' ideological consciousness.
It is not terrible to make mistakes. The terrible thing is that I don’t know that I made a mistake, and I still enjoy it and don’t change it. And what Jiang Laiyang showed was the wisdom and charm of soldiers.
This is also the reason why our army is able to win the war, because we dare to introspect, dare to criticize, and dare to criticize ourselves.
3. Ordinary young man Xiao Jingxian
Xiao Jingxian in "Xiangshan Ye Zhenghong", she originally came from a rich family of bourgeoisie , but she has chosen carefree since she was young Participated in the cadre group going south.
After getting to know Xintiandi and seeing the new society, she resolutely gave up a comfortable life, gave up going to the United States to stay, and took the initiative to stay in Beiping.Under the introduction of his uncle, he joined the organization.
In her body, there are many young people, those young people who are inspired by the revolution, give up everything and even their lives, and participate in the construction of New China with revolutionary enthusiasm.
These three typical characters are fictitious, but it is precisely because of these fictional little characters that the original story becomes interesting and the heavy sense of history becomes real.
This "Fragrant Mountain Ye Zhenghong" has always stood on the stand of the people of , which is why there are not only leaders but also small characters in the story, because the people are the creators of human history.
In and out of the play, each creative choice fully reflects the original intention of the director and screenwriter: came from the masses to the masses.
The story should not be fake, nor can the screenwriter live high in the ivory tower. It must be true, primed, and related to people.
In general, "Xiangshan Ye Zhenghong" is a full of energy, full of vigorous spiritual power, no matter from the director, screenwriter and cast, or the theme setting.
Young people can also understand this period of history through the drama, see this period of history, and let the ideal light shine on the path of life.
.
