opened the barrage of the second season of "De Yun Dou Laugh Society", as if he had strayed into the scene of a certain idol group, "XX was praised by the master, it is definitely the future." "XX has worked very hard, You have to allow him to make progress." "Is XX too hard, how can I know to grab the camera"... On the stage, Guo Degang repeatedly said that he should talk about cross talk. Off the stage, what the fans want is to give us more shots.
From the third episode of the program, the word-of-mouth of the second season of "De Yun Dou Laugh Society" has risen, and Douban's 7.6 score has also made many viewers break the defense. However, apart from the fact that the third episode of the show makes a movie that is eye-catching, the other game forms in the show do not have much new ideas. Now the variety show inner volume is also very powerful, it is difficult to surprise the audience, even Fans can't do it every week.
While the reality show was being discussed, the cross talk level of Deyun Club actors was repeatedly discussed. Some people say that "De Yun Dou Xiao She" brings realistic thinking in entertainment; some people complain that Guo Degang has abandoned traditional culture and embarked on the road of traffic.
There is no doubt that Deyun Club is becoming an "idol" group. Guo Qilin , Zhang Yunlei , Meng Hetang , Qin Xiaoxian and other young comedians have captured a large number of fans on social media in a path similar to idol stars.Things that originally only happened to traffic artists began to appear in Deyun Club.
Obviously, it is the traffic advantage that gave Deyun Society the confidence to do a group synthesis. After all, "Deyun Douxiaoshe" has already reached the second season, and the next door has closed the "Ivory Mountain". So far, Douban has not scored.
However, the reason why Deyun Society’s group is featured in the two seasons of the art category of De Yun Dou Zong is based on the "Cross Talk". Most of the enthusiasm has little to do with their old profession. But in the end, from the perspective of variety shows, aside from all kinds of fan filters, we still have to discuss fundamentally-is this variety show good-looking? Is this group of photos just for fans to see?
this "bucket laughing club" very "extreme challenge"
simple look, "Devon bucket laughing Society" The program is divided into two parts, the upper and lower parts, using the mode of reality show + cross talk competition, is it familiar? The setting of such a program is somewhat " extreme challenge " plus "Rap New Generation".
The first half of each issue,The director team will take cross talk as the main line, set realistic topics, and compete in reality show games according to the set storyline and storyline. Players who win in the game reality show can have the right to choose the captain and form a team to perform PK in the second half of the cross talk performance.
The extremely sensitive guests who were in the past have experienced the precious spirit of hard work and struggle by the whole people through repeated challenges, in order to pay tribute to every ordinary and great creator of a better life. Besides being funny, there is a little value that can be felt without going up too much.
It can be said that Yan Min has applied the experience learned in "Extreme Challenge" from Deyun to Laugh Society. "To win is also to lose, to win is also to win" routine in "Extreme Challenge" is also applicable to "Douxiaoshe", that is, there are almost no rules.
Taking the first episode of the second season as an example, the program uses Tianjin’s early "pancake roll everything" as the reason to lead to the topic of "internal scrolling". In the reality show, the 14 artists from the starting lineup were assigned to different professions. Some made pie, some grind noodles for pie, and some "credit" the pie...Finally, a pie can be exchanged for a table tennis ball with their own name. , The more balls in the lottery machine, the greater the probability of who wins the captain's position. Although Zhang Helun has the most table tennis, he still missed the position of captain, and Yan Min's program was full of reversals.
Enlarging the "real people" part of the reality show is also a feature of Yan Min's show.There is no deliberate conflict, just restore the truest relationship between people. Therefore, even if the Xtreme Men Gang leaves "Ultimate Challenge", the feelings and personal settings between them are still very strong in the hearts of the audience.
This kind of "real" actually has a certain risk, because after all, not every program guest is like Huang Lei , Huang Bo, Sun Honglei can play and dare to play. If the scale is good, there will be a seamless connection from King Yan to the rule-breaker like Sun Honglei; if the scale is not good, like biscuits, he was complained from the first season to the second season. I think he has tried hard. fierce.
Do you need to break the circle?
The term "Tuan Zong" is not simply an abbreviation for "group variety show". Even if it is not an exotic word, it was originally used by Korean idol fans to refer to collective filming by idol groups. Variety shows, such as " TF youth GO " etc. Except for "De Yun Dou Laugh Club", other application scenarios of the term "Tuan Zong" are still the same as its original meaning: idol variety show.
Although comedy labels and idol groups are essentially not the same way,However, due to the flow of the Deyun Club itself, the routes of the two are becoming more and more similar.
So far, the comedy troupe has formed a new “star” attracting traffic. In "Ivory Mountain Love Group", Song Xiaobao said: "The brothers all have unique characteristics. I hope that through the group, more audiences can get to know them." It is a personal practice, almost in recent years, slightly popular actors have come to show their faces.
Originally, almost all of the idol groups serve fans. Many groups in Japan and South Korea require payment, and the target audience is very precise. As for the comics of comedy, it is obvious that they want to be popular, and Guo Degang has said more than once that no matter what the form, it is cross talk that ultimately wants to return.
"De Yun Dou Laughter Club" does exactly this, and the second half is a cross talk performance. In the creation of cross talk, the content of the reality show is used to lead the creation theme, and the content of "De Yun Dou Xiao She" has been drawn up in advance to narrow the boundaries of creation. Not only that, the actors have very limited creative time. After the reality show, it takes only one day to complete the content creation, stage performance and other processes.
in this way,Artistic creation has become a propositional composition, and performing on stage has become an exam-oriented education. Coupled with the fragmentation of the editing, it is really difficult to attract new fans in the cross talk. Perhaps the original intention was good, but the level of the newcomers of Deyun Club is indeed limited. In addition to the stable performance of the famous crosstalk sessions, other actors rarely perform stable.
Of course, this may be related to the serious changes in the composition of the fans of Deyun Club. At the cross talk performance scene, young female audiences are replacing the traditional middle-aged and old cross talk audiences and become the mainstream audience of Deyun Club. "Deyun Girls" also came from this-they played the charts, grabbed tickets, cheered for help, picked up the plane, and went to teahouses to listen to cross talks and they also held light sticks.
Therefore, Deyun Club is constantly "flowing" in cross talk. Taking Qin Xiaoxian as an example, if divided according to the level of cross talk, he may not have the opportunity to participate in the group complex, but as a "traffic manager", he not only participated in two seasons, but even several episodes were centered on his main line. In the cross talk competition, because of his high popularity, although he said it was average, his scores surpassed many seniors.
In addition to harvesting traffic, most of the comedy brands are optimistic about the demand for new generations. To some extent,The comedy troupe can show the personality charm of comedians in a three-dimensional and all-round way, continuously transport talents to the variety show market, and better realize the virtuous circle of variety show business.
The comedy market seems to be lively, but in fact, there has been a long gap. Especially in the cross talk industry, "old works, lack of newcomers" has always been a dilemma. The self-confidence in the group variety may be able to rely on fans to save a variety show. However, these cross talk works have never become the cross talk represented by this era. If you want to revitalize cross talk and revitalize comedy, the collective of comedy labels has to "break the circle".
Source of the article: Entertainment industry
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