can be divided into two, three, and four paragraphs.
In most cases, this segmentation is like having several lyrics in a song today.
Non-segmented is called "monotonic", two-segmented is called "dual tone", three-segmented is called "triple", and four-segmented is called "quadruped".
Monotonous words have the earliest origin, and there are more monotonous words in Tang Dynasty. The number of monotonous words is less, the rhyme is denser, and it is closer to folk songs and modern poetry. Common ones such as " sixteen-character order ", "tiao laugh order", "Nan Gezi", "like dream order", "bamboo branches", " recall Jiangnan " and so on.
double tone, also called "double stack", is the most common in words. Generally, the number of words is more than monotonous. The two paragraphs of double tone are also called "two pieces" (the song is called "two pieces" at the end of the music, and the expression of two pieces can prove from the side that two pieces of double tone are two lyrics with the same score) or "two pieces".
In the old days, Chinese characters were written in straight lines, so the former paragraph is called Shangyu or Shangpian, and the latter paragraph is called Xiayuan or Xianpian. The upper and lower films have the same word count and format, which is a standard double tone.
Such as "Bu Operator":
By the side of the broken bridge outside the post, lonely and no master. It's already dusk alone, and even more wind and rain.
I have no intention of struggling to fight for spring, and I will be jealous of the group. Scattered into mud and crushed into dust, only the fragrance remains the same. (Lu You)
The two pieces are not exactly the same as the variant two-tone, such as "Bodhisattva Man",
Pinglin desert is like smoke. Sad Bi in the Hanshan area. When I entered the tall buildings, some people were worried upstairs.
The jade steps stand empty. The bird returns to fly anxiously. Where is the return journey, the long pavilion and the short pavilion. (Biography by Li Bai)
The words of San Die and Si Die are the works of literati after Song Dynasty.
These words have a large number of characters, slow rhythm, and sparse rhyming, and are rarely used by ordinary poets.
Three stacks such as "Twelve Hours" (130 words), "Lanling King" (130 words), "Ruilong Yin" (133 words), "Langtaosha Slow" (134 words), etc.
Take a poem "Lang Tao Sha Slow" by Zhou Bangyan as an example (every visit to Ye Yun branch)
Xiaoyin Zhong,Frost carved shore grass, fog hidden city battlements. (Zhu)
Nanmo Zhiche is ready to go. (Zhu)
Dongmen tents drink Zhawan. (Zhu)
is blowing on the face and weeping Yang can gather the knot. (Zhu)
Cover the red tears and fold the jade hands. (Zhu)
Where will Hanpu leave Hong Kong? Over time, the message must be heard. (Zhu)
is passionate. (Zhu)
The sky is wide in the sky. (Zhu)
Xiang Lu Lengfeng clears nowhere, Geng Genghan misses his swallows. (Zhu)
Everything is unforgettable, but farewell. (Zhu)
The green bottle is not exhausted. (Zhu)
With broken clouds, save the waning moon in the West Tower. (Zhu)
Luo with light to eliminate text and overlap. (Zhu)
Serial solution, the old Xiang rest. (Zhu)
Complaint singing, Qiong pot knock is missing. (Zhu)
I hate the spring, don't face people, make the night, and have plenty of space in the snow. (Zhu)
The only four stacks are "The Preface of Yingciao", the words are long and there is no masterpiece, so we don't give examples.
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